Are you a writer in the Philadelphia area? Are you looking for “a comfortable, congenial environment where you can meet other writers, editors and publishers?” If you answered yes to both of these questions, then this September’s Barrelhouse Conversations & Connections conference will be right up your alley. This year’s keynote speaker will be Familiar author J. Robert Lennon.
The brief excerpt of The Late American Novel that appeared in the New York Times Magazine this past weekend was also the first appearance of “A Tiny New Culture Section With No Name,” part of the Magazine’s redesign. At the Magazine’s “behind-the-scenes” blog, Editor Adam Sternbergh talks about the tiny new section and has some very nice things to say about The Late American Novel as well.
The New York Public Library released more than 180,000 of its public-domain items, ranging from maps and manuscripts to ancient texts and sheet music. The files can be downloaded on the library’s website, available to the public without restriction.
“Trusting the literary press and the mechanisms of the market to curate the books we read and study is to hand over whole regions of literary curiosity and judgment before one even picks up a book.” On refusing to read. We’re not prepared to go quite that far, instead preferring our own Sonya Chung‘s practice of not finishing books.
“It helps to be nobody if you want to be somebody.” Over at The Daily Beast, Ted Gioia takes a look at what he calls the new cult of the anonymous artist. From the famously infamous graffiti artist Banksy to the enigmatic Italian novelist Elena Ferrante, there is certainly no denying that, whatever the reason, anonymity is “in.” Here’s an older Millions essay that takes a look at Banksy, obsession, and the sea.