Warning: There’s another James Franco film coming your way. His latest literary adaptation is of Cormac McCarthy’s Child of God. The first trailer features banjo, an ominous voiceover, an edgy Scott Haze, and surprisingly little Franco.
When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
The Guardian‘s Books Blog is hosting a tournament to determine “The Great American Novelist,” and the list of the final 32 seeded contenders, as voted by the site’s readers, is enough to raise some eyebrows—not as much for who did make the cut as for who didn’t. Guardian readers, haven’t you heard of Richard Yates?
Chances are you’ve bragged about the size of your library. The number of books you own is a point of pride for many readers. But at what point does collecting books — which few people would say is a bad thing– turn into a problem? At what point, in other words, does it become hoarding? Pair with: Rebecca Rego-Barry on hunting for rare books at college library book sales.
Alexander Chee posts the list of texts he used to teach his seminar on the graphic novel at Amherst – the graphic novel “warhorses,” as he calls them – and explains why they are the essential books for those interested in getting to know the form. (via The Rumpus)
Last month, in a review for The Millions, Chris Barsanti called George Packer’s The Unwinding an “awe-inspiring X-Ray of the modern American soul.” Now, in The Guardian, Sukhdev Sandhu calls the book “decent, meticulous and concerned,” though it could have benefited from the “roiling prose-fire of Rolling Stone journalist Matt Taibbi.”
In 1998, Matthew Stokoe kicked off his career as a novelist with Cows, a stomach-turning book set largely in the confines of a slaughterhouse. Now, Stokoe has written a book with a somewhat ironic title, considering it dials down the obscenity in comparison to his early work. Drew Smith interviews the author over at Full-Stop.