Trader Joe’s, circa 1877: “It’s always the same complaint: ‘Joe, you don’t have any of the essential items that every other trading post has. Why don’t you have saddles? Or gunpowder? Or basic tools?’ Because I have soy chorizo, that’s why! Because I have chocolate-covered peanut-butter-filled pretzels!”
Cash, Credit, or Barter?
Dystopia’s Meta-Dangers
"Why write in an unlovable genre with an inevitably hectoring tone? Dystopia, situated in a dangerous no-man’s-land between the pulpit of the preacher and the safe sniper post of the satirist." Future futurists, take note: the New York Review of Books reviews Chang-Rae Lee's addition to your dystopic shelf, On Such a Full Sea, and ponders the virtues of the dystopic endeavor itself. (Bonus: Lee writes about his own 2013 Year in Reading here at The Millions.)
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Five Favorite Story Collections
Curtis Sittenfeld shares her favorite short story writers, from Alice Munro to new voice Jennine Capo Crucet.
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Calling All Foer-Besotted 10-Year-Olds
Spotted on the streets of New York: a casting call for a "10-13 year old Caucasian male" to play protagonist Oskar Schell in Stephen Daldry's upcoming film adaptation of Jonathan Safran Foer's Extremely Loud & Incredibly Close. Notable Goyim Tom Hanks and Sandra Bullock are attached to the project, as Oskar's parents.
“The Percy Jackson Problem”
"Riordan’s books prompt an uneasy interrogation of the premise underlying the 'so long as they’re reading' side of the debate—at least among those of us who want to share Neil Gaiman’s optimistic view that all reading is good reading, and yet find ourselves by disposition closer to the Tim Parks end of the spectrum, worried that those books on our children’s shelves that offer easy gratification are crowding out the different pleasures that may be offered by less grabby volumes." In an essay for The New Yorker, Rebecca Mead considers questions about what children should be reading through the lens of the Percy Jackson series.
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