Who is Samantha Shannon, and why should you care about her? Well, for starters, she’s twenty-one years old, her debut novel The Bone Season is coming out next week, and her publisher suspects she may be the next J.K. Rowling.
Lucky Alan, which came out in February, is Jonathan Lethem’s first new story collection in more than ten years. He talked with Matt Bell about it in an interview at Salon. “What’s great about short stories is the opportunity to play at reinvention; all those new departures, all those new landings to try to stick,” he says. You could also read our review of his novel Dissident Gardens.
Mama Hope, a group that works with local African organizations “to connect them with the resources required to transform their own communities,” has released a great promo featuring four young men who are tired of Hollywood’s African stereotypes. Their complaints are reminiscent of those enumerated in Binyavanga Wainaina’s classic essay “How to Write about Africa,” and also in Laura Seay’s great article from last week, “How Not to Write About Africa.”
“The feminist bookstores in the nation’s largest cities are experiencing the most significant upticks in sales, as well as in foot traffic.” We love bookstores here at the Millions, especially feminist ones. So we were ecstatic to see this piece in Publisher’s Weekly about the bonanza of feminist bookstores seeing an increase in sales and attention. While there are not many of these bookstores left, the ones that are still alive attribute their increased popularity to the ‘Trump bump.’ Read the story here and be sure to visit all the bookstores mentioned the next time you’re in town.
New this week: The State We’re In by Ann Beattie; Who Do You Love by Jennifer Weiner; The Beautiful Bureaucrat by Helen Phillips; The Race for Paris by Meg Waite Clayton; In The Language of Miracles by Najia Hassib; Still Life Las Vegas by James Sie; and Subway Stations of the Cross by Ins Choi. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
Even though the advice to “kill your darlings” implies editing your writing is a painful process, some writers relish it. At The New York Times, Pamela Erens discusses the pleasures of trimming down her writing. “For every word I cut, I seem to have more space between my ribs, more lung capacity.” For more Erens, read her essay on accepting her book cover.