Want to support Estonian literature? Buy booze. Finns traveling to Estonia for cheap alcohol are helping to support Estonian cultural and literary activities because part of the liquor tax funds these programs. Maybe we could have that tax over here, too?
Loudpoet has an interview with former Soft Skull Press publisher Richard Nash about his new social publishing venture Cursor. ““Social” is taking the book and making it much easier to have a conversation with the book and its writer, and have conversations around the book and its writer.” Is this a way forward for beleaguered publishers? (via The Lone Gunman)
Humans have been covering paintings, windows, and mirrors after the passing of loved ones for generations. Why do we feel the need to close off our connection to the outside world when we are grieving? Colin Dickey writes about the social, literary, and religious connotations of grief and memory at Hazlitt. At The Millions, Lidia Yuknavitch writes about channeling her grief into art.
From Letters of Note, the correspondence between Fitzgerald and his editor upon the former’s completion of The Great Gatsby (including Fitzgerald’s suggestion for an alternative title: Gold-hatted Gatsby). In response to the many endings of A Farewell to Arms, Slate cooks up 48 canned, alternative endings for Fitzgerald’s masterpiece.
“When Leonard Riggio bought Barnes & Noble in 1971, it consisted of a single struggling store in Manhattan. Over time, with swagger and an unwavering belief in the value of physical bookstores, he turned it into the country’s largest bookselling chain.” Riggio, founder and executive chairman of B&N, announced yesterday that he will be stepping down in September. Let our own Janet Potter take you through a history of her love for bookstores.