This past week saw the release of the final volume in Holy Soul Jelly Roll: Poems & Songs 1949-1993, a collection of recordings—some of which never before released—by Allen Ginsberg. This volume contains the “stunning 1956 Berkeley Town Hall reading of Ginsberg’s seminal poem ‘Howl.’” The volumes are for sale on iTunes, but you can also listen to an “8 song sampler” over on OpenCulture for free.
“Set in the 2020s and 2030s in a collapsing and crashed America, the Parables books have always seemed incredibly and disturbingly prescient—and in the wake of November 8, 2016 they now seem downright spooky, the actual and accurate history of the future.” How Octavia Butler predicted the present. See also: our consideration of Butler’s novel Kindred.
Earlier this month, Jack Daniel’s wrote Patrick Wensink a cease-and-desist order because the cover of Wensink’s latest novel, Broken Piano For President, bears a striking resemblance to the whisky’s logo. Surprisingly, instead of some whisky-soaked tirade, the letter is really, really nice.
Oh, ghostwriter: that poorly-paid name snuck into the “Acknowledgements” section somewhere after agent’s agent and ex-wife’s third cousin. In the middle ground between Michael D’Orso, who spoke to The Millions of job satisfaction as a hired pen, and Sari Botton, whose reminisces are full of horror stories, Andrew Croft, author of 80 books that sold 10M copies under other people’s names, offers a circumspect take in his Guardian profile. “The ghost is advised never to forget that, at the end of the day, he or she ranks somewhere between a valet and a cleaner.”
“To talk to Le Guin is to encounter alternatives. At her house, the writer is present, but so is Le Guin the mother of three, the faculty wife: the woman writing fantasy in tandem with her daily life.” The New Yorker dedicates a long profile to Ursula K. Le Guin. Pair with our interview with the prolific author.
Trevor Berrett, the man behind The Mookse and the Gripes, and now The Worlds and Works of Shakespeare, is conducting a giveaway for the NYRB Classics edition of Mark Van Doren’s Shakespeare. Conditions to enter are enumerated on his blog, which you should certainly bookmark if you’re a fan of the Bard.