As you may have heard from our own Bill Morris, The Canyons, the new movie starring James Deen and Lindsey Lohan, is a bad film that somehow manages to be worth watching anyway. At the LARB, Naomi Fry agrees with this assessment, arguing that the film is important because it “identifies how desperately many of us still want to believe that the larger-than-life, commodified good life is still available to us.”
The 2012 finalists for the Costa (formerly Whitbread) Book Awards have been anounced. In the "Novel" category, they are Bring up the Bodies by Hilary Mantel, Life! Death! Prizes! by Stephen May, The Heart Broke In by James Meek, and Days of the Bagnold Summer by Joff Winterhart. The Costa site has lists of the nominees in all categories.
In which Jami Attenberg (whose forthcoming The Middlesteins made it to our big 2012 second half books preview) discusses the outright mockery of Jeffrey Eugenides's pseudo-famous vest in the web advertising campaign (which--full disclosure--also ran on The Millions) for Jennifer Weiner's The Next Best Thing: "Hit Me with Your Vest Shot."
Random House is releasing a collection of previously unpublished poems and stories from Truman Capote’s youth, recently found in the archives of the New York Public Library. Over at Full Stop, Jacob Kiernan examines the keen political conscience in Capote’s never-before-published work. As he explains it, “While his early stories are structurally simple, they evince a prescient social conscience.”
This week sees the release of Edward St. Aubyn's final "Patrick Melrose novel," At Last. A new, omnibus edition of all the novels in the series is also out. Steve Erickson's new novel These Dreams of You is out, as is The Art of Hearing Heartbeats, a debut effort set in Burma by German novelist Jan-Philipp Sendker. This week also sees the release, on Blu-ray, of the 50th anniversary edition of To Kill a Mockingbird.