As you may have heard from our own Bill Morris, The Canyons, the new movie starring James Deen and Lindsey Lohan, is a bad film that somehow manages to be worth watching anyway. At the LARB, Naomi Fry agrees with this assessment, arguing that the film is important because it “identifies how desperately many of us still want to believe that the larger-than-life, commodified good life is still available to us.”
Bad Yet Vital
“I guess you could call this ‘fake livetweeting’.”
The latest installment in The Believer’s “What Would Twitter Do?” series (which we’ve mentioned before) features London Review of Books editor Christian Lorentzen, whose Twitter feed, Sheila Heti writes, “seem[s] like what someone who only expresse[s] himself as a fiction writer within the universe of twitter might come up with.” Meanwhile, Heti has a review of The Love Affairs of Nathaniel P. by Adelle Waldman in (where else?) the LRB.
New Trailer for T.C. Boyle
In 1998, T.C. Boyle released his first massive collection of short stories, titled, appropriately enough, Stories. Clocking in at 700+ pages, the book illustrated the zany profligacy of one our premier short fiction writers. Now Boyle has released a new collection — titled (of course) Stories II — and with it comes a new trailer.
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Saving Borders Bookstore
I’m a little late to this one, but Ruby Vassar at the Vroman’s Bookstore Blog ran a pretty funny April Fool’s Day post.
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The Return of Agatha Christie
“As much as there is an evergreen fascination for Christie’s stories, there’s also an alluring air of mystery surrounding the woman herself.” Broadly explores the enduring nature of Agatha Christie‘s stories, the recent surge in adaptations (including Murder on the Orient Express), and the mysterious 11-day disappearance of the writer herself. From our archives: an essay on the sometimes inherent predictability of the mystery genre.
The Cat in the Hat
“Ted has another peculiar hobby — that of collecting hats of every description.” Art imitated life for Theodor Geisel, a.k.a. Dr. Seuss, hat collector extraordinaire.
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Picture Perfect
We pick photos to accompany writing all the time, but what do writers think about photography? At The New Yorker, photo editor Jessie Wender asked eight writers, from Jennifer Egan to Sasha Frere-Jones, what their favorite photographs are.
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Anything the critics are getting out of this movie is something they had already brought with them, and the move is giving them a chance to present their ideas as if it’s an organic part of the experience of watching the movie. The Canyons isa pitch-perfect example of incompetence and devoid of any significant meaning beyond what it gives you, which is nothing. The movie is literally empty. The acting is horrible, the script is sub-telenovela, the camera work is film schoolish, and Schrader seems to have forgetten how to edit. Some of these quasi-positive reviews are acting as if this movie, despite itself, is the skeleton key to understanding the current zeitgeist. I’m more interested in way some critics are so intent on giving trash like this a pass, why they want it to be something it so clearly is not.