As you may have heard from our own Bill Morris, The Canyons, the new movie starring James Deen and Lindsey Lohan, is a bad film that somehow manages to be worth watching anyway. At the LARB, Naomi Fry agrees with this assessment, arguing that the film is important because it “identifies how desperately many of us still want to believe that the larger-than-life, commodified good life is still available to us.”
Sergio De La Pava, the once and future king of our list of top ten books, gets the interview treatment at The Believer’s Logger page. Now might be a good time to scroll back to our profile of the author, whose first book, A Naked Singularity, came out in bookstores in June.
Wyvern is publishing a “Haunted” theme issue just in time for Halloween this year, and you have until mid-September to submit your work. “Haunting is in your bones,” Wyvern’s editors write. “You know it when you feel it, and you know it when you write it. That is what we’re looking for.”
Gordon Willis, the celebrated cinematographer who worked on The Godfather films and Annie Hall, passed away Sunday at the age of 82. The Paris Review has posted a short “In Memoriam,” which serves as both a wonderful introduction to the work of this artist and a knowing celebration of his work, complete with a video of Manhattan‘s bridge scene and an interview with Willis himself.
“If you want to be grateful for something today, be grateful for that: Ebola doesn’t fly,” according to a 2012 NYT op-ed. (Ok, so that’s not true, but you’re still probably safe.) If you (like me) have been obsessively re-watching that infected American patient walk into his hospital in Atlanta, I’d like to suggest you (I) first relax, and then indulge your (my) Ebolapocalypse fears elsewhere, e.g., a roundup of the 14 best pandemic novels according to Slate, 11 from io9, 22 from Bookshop, or all 1,000+ at Goodreads.