As you may have heard from our own Bill Morris, The Canyons, the new movie starring James Deen and Lindsey Lohan, is a bad film that somehow manages to be worth watching anyway. At the LARB, Naomi Fry agrees with this assessment, arguing that the film is important because it “identifies how desperately many of us still want to believe that the larger-than-life, commodified good life is still available to us.”
Bad Yet Vital
We’re All Riding With the Ghost
American music lost one of its best songwriters with the passing of Jason Molina last March. Molina was known for his work with Songs: Ohia and Magnolia Electric Co. As a tribute this week on Jimmy Kimmel Live, and as a way of spreading awareness for a May 11 concert in Molina’s memory, Band of Horses covered one of the late musician’s songs, “I’ve Been Riding With the Ghost.” (Original.)
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The Rooster Crows!
Tournament of Books fans: The official Tournament of Books bracket has been posted. Along with an introduction to this year’s literary throwdown, readers can get a gorgeous bracket poster, sure to become the decorative centerpiece of any library wall.
52,757
Last night, during President Obama’s speech at the Democratic National Convention, people were sending out 52,757 Obama related tweets per minute. This morning, the speech was fact checked. And here’s what Steve Almond wished Obama had said.
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What We Talk About When We Talk About Books
“The [book] review’s pre-eminence is irrefutable: most people are acquainted with far, far more books through reviews than they could ever hope to read. And that is, generally, to the good.” Joseph Mackin explores why we write and read book reviews for the New York Journal of Books.
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TED is Dead
It’s fashionable to hate on TED all of a sudden. In the span of a month, we’ve got this piece by Nathan Jurgenson in The New Inquiry, this one by Benjamin Wallace in New York Magazine, and this one by Megan Garber in The Atlantic.
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OWS: Book Coming Soon
The Occupy Wall Street history will be published by OR Books, a company which rose to fame after publishing Going Rouge, a collection of negative essays about Sarah Palin that was released on the same day as her memoir, Going Rogue.
Anything the critics are getting out of this movie is something they had already brought with them, and the move is giving them a chance to present their ideas as if it’s an organic part of the experience of watching the movie. The Canyons isa pitch-perfect example of incompetence and devoid of any significant meaning beyond what it gives you, which is nothing. The movie is literally empty. The acting is horrible, the script is sub-telenovela, the camera work is film schoolish, and Schrader seems to have forgetten how to edit. Some of these quasi-positive reviews are acting as if this movie, despite itself, is the skeleton key to understanding the current zeitgeist. I’m more interested in way some critics are so intent on giving trash like this a pass, why they want it to be something it so clearly is not.