As you may have heard from our own Bill Morris, The Canyons, the new movie starring James Deen and Lindsey Lohan, is a bad film that somehow manages to be worth watching anyway. At the LARB, Naomi Fry agrees with this assessment, arguing that the film is important because it “identifies how desperately many of us still want to believe that the larger-than-life, commodified good life is still available to us.”
Bad Yet Vital
Appropriate Today More Than Ever
For the tenth anniversary of Nickel and Dimed: On (Not) Getting By in America, Barbara Ehrenreich has penned a new foreword and introduction which you can read here.
Is Literature Useful?
“Literature is the record we have of the conversation between those of us now alive on earth and everyone who’s come before and will come after, the cumulative repository of humanity’s knowledge, wonder, curiosity, passion, rage, grief and delight. It’s as useless as a spun-sugar snowflake and as practical as a Swiss Army knife.” Dana Stevens and Adam Kirsch discuss whether literature should be considered useful.
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Scathing ‘New York Times’ Book Reviews
Read some of the harshest New York Times book reviews on literary classics, including Lolita, Ulysses, and The Catcher in the Rye.
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Writing is excessive drudgery.
Over on the Atlantic there’s a compendium of cheeky marginalia Monks and their scribes have scribbled into gilded manuscripts, courtesey of Lapham’s Quarterly.
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Chemikal Underground Rocks the Audiobook
Chemikal Underground, the Glasgow label that first launched Mogwai and Arab Strap, steps into the literary realm with its first audio collection of stories, The Year of Open Doors. You can listen to an excerpt–Arab Strap’s own Aidan Moffat reads his story “The Donaldson Boy.”
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Photographic Thaw
If you’re going to accidentally leave almost two dozen unprocessed photo negatives out for 100 years, there’s no better place to store them than a block of ice in Antarctica. Conservationists restoring an Antarctic exploration hut found the negatives left from Robert Falcon Scott’s fatal 1910-13 Terre Nova Expedition to the South Pole. For a less harrowing tale of Arctic exploration, check out our review of Maria Semple’s Where’d You Go, Bernadette?
Anything the critics are getting out of this movie is something they had already brought with them, and the move is giving them a chance to present their ideas as if it’s an organic part of the experience of watching the movie. The Canyons isa pitch-perfect example of incompetence and devoid of any significant meaning beyond what it gives you, which is nothing. The movie is literally empty. The acting is horrible, the script is sub-telenovela, the camera work is film schoolish, and Schrader seems to have forgetten how to edit. Some of these quasi-positive reviews are acting as if this movie, despite itself, is the skeleton key to understanding the current zeitgeist. I’m more interested in way some critics are so intent on giving trash like this a pass, why they want it to be something it so clearly is not.