As you may have heard from our own Bill Morris, The Canyons, the new movie starring James Deen and Lindsey Lohan, is a bad film that somehow manages to be worth watching anyway. At the LARB, Naomi Fry agrees with this assessment, arguing that the film is important because it “identifies how desperately many of us still want to believe that the larger-than-life, commodified good life is still available to us.”
Bad Yet Vital
The State of the State’s Libraries
The state funds for California's libraries have been dwindling for the better part of a decade, but now they face total elimination. Put into concrete terms: in the 1999-2000 fiscal year, libraries received $56.8 million from the state; in the 2008-2009 fiscal year, that number was down to $12.9 million; now they'll receive $0.
Marion Cotillard as Lady Macbeth
The film adaptation of Macbeth being helmed by Snowtown Murders director Justin Kurzel will star Michael Fassbender and Marion Cotillard, reports Vulture. The movie will feature “Shakespeare’s original linguistic stylings” as well as “a visceral approach to the story including significant battle scenes,” and it is set to begin production this year.
“You’re a fiction writing professor.”
“You have a hard time imagining how the things you've experienced or discovered, which seem abjectly personal, could be of use to another writer. You're aware that you can follow every single rule in the book, and still write a crappy story.” The Preservationist author Justin Kramon grapples with the idea of teaching writing to college students.
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Comic Fans
When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
Curiosities: 8x Buffalo
Appearing Elsewhere: VQR Young Reviewers Contest winner and Millions contributor Emily drops by the NBCC blog to tell them what she's been reading.The NY Times fleshes out some of the details of Google's digitizing agreement with publishers and authors, including getting into some of the numbers involved. We explained the importance of the deal last year.At Jacket Copy Carolyn Kellogg gets Sarah Weinman to discuss the secrets behind her incredible speed-reading ability. (462 books in 2008!)Carolyn also recently highlighted all the great literary magazines that supplied the featured stories in last year's "best of" fiction anthologies, as well as the runners up.80 years after the last one, a new Winnie the Pooh book is on its way.A timely and topical list: the Top 10 green books of 2008For the multi-tasker (or perhaps the really lazy): the book holder bracelet."Had I an atheist friend who asked, 'Can you tell me please what this religion business is all about, not as some metaphysical hypothesis or historical phenomenon, but what it really means to be religious?' I might hand him or her a copy of Marilynne Robinson's novel Gilead. 'Read this,' I'd say, 'and it will give you a pretty good idea.'"For sports fans: Bill James on why statisticians should boycott the BCS.That perilous question: why blog?Vice did a fiction issue.David Brooks discusses some of the best long-form journalism of 2008 (with links!)The outgoing president's surprising reading list.The Hype Machine's impressive top albums of 2008 project.Wikipedia find of the week: Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffaloA consideration of poet Jack Spicer.With apologies to William Carlos Williams, A poem for Blago.New short fiction from Horacio Castellanos Moya, author of Senselessness (via Scott)Jonathan Franzen on the Social Novel (via OUP blog)
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Steve Martin on the Banjo
Actor and comedian Steve Martin's album The Crow: New Songs for the Five String Banjo has been nominated for six International Bluegrass Music Association Awards. Listen to tracks from the album and read more about Martin's musical side at NPR.
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Anything the critics are getting out of this movie is something they had already brought with them, and the move is giving them a chance to present their ideas as if it’s an organic part of the experience of watching the movie. The Canyons isa pitch-perfect example of incompetence and devoid of any significant meaning beyond what it gives you, which is nothing. The movie is literally empty. The acting is horrible, the script is sub-telenovela, the camera work is film schoolish, and Schrader seems to have forgetten how to edit. Some of these quasi-positive reviews are acting as if this movie, despite itself, is the skeleton key to understanding the current zeitgeist. I’m more interested in way some critics are so intent on giving trash like this a pass, why they want it to be something it so clearly is not.