Have you ever wondered what The Great Gatsby would sound like? Designer Vladimir V. Kuchinov made The Generative Gatsby, a book that features typography based on famous 1920s jazz songs. “The following work is a visual experiment, a study of how music of this era, its rhythms, syncopations and patterns could alter prose to a new typographic frontiers keeping content legible as it could be,” he writes on his website.
HBO turned down the television adaptation of Jonathan Franzen’s The Corrections, despite an all-star crew: Franzen himself adapted the novel to television, Noah Baumbach promised to direct the series, and Ewan McGregor and Maggie Gyllenhaal were cast as leads. Novelist A-J Aronstein can now breath a sigh of relief; they won’t be filming The Corrections at anyone’s house.
“Limits stop you from living a life without limits,” writes Augusten Burroughs. “Of course, this is only an illusion. What limits really do is give you an acceptable excuse to avoid doing something.” (He’s talking about life, not Oulipo.) The piece is excerpted from his recent book, This Is How.
Though major publications like The New York Times are still questioning the importance and power of female essayists, Lucy Scholes argues that women are producing “some of the best writing today” and as proof lists several of the best recent essay collections by women in a piece for The Daily Beast. Incidentally, that list includes titles such as The Empathy Exams and The Opposite of Loneliness, both of which were reviewed for The Millions (here and here, respectively).
The Brooklyn Rail‘s InTranslation section has launched a new poetry series, 100 Refutations. Created by author and translator Lina M. Ferreira C.-V., the series will feature a daily poem “from one of the countries recently denigrated by the president of the United States.” Pair with: The Millions’ Surviving Trump column.