Last week, I relayed the news that The Circle, the upcoming novel by Dave Eggers, casts its eye on the cultish workings of a Google-esque company in California. But how Google-esque will the company be, exactly? Nick Clark takes a look at the evidence.
“Like walkie-talkies that require a button be pressed to speak and released to hear, does reading require that either the voice of the author or the voice of the reader’s consciousness be silenced at any given moment? Such an analogy suggests that reading is an act of hospitality toward another’s mind, in which we silence our voice in courtesy to the voice of another’s consciousness, a voice that alternates with our own in conversation.” John Biguenet on silent reading.
No surprise here -- Elena Ferrante fever continues to sweep the literary world. Last week, an Italian historian was forced to deny claims that she was actually the Neapolitan novelist. Now, The Guardian takes a look at the unique history of pseudonyms and posits whether Ferrante's mystery might outlast some famous historical masqueraders. For the unacquainted, here's a quick piece on reading Italy through Ferrante's work.
Over at The Review Review, Chuck Augello provides a useful guide for writers trying to determine where they should submit their work. He covers several aspects of the process: Identifying Potential Markets, Circulation, Evaluating the Journal, Evaluation Criteria, and Simultaneous Submissions. None are more important than the last, though: Do the Work.
"Over four seasons, 'Younger' became a 'Gossip Girl' for the publishing industry—a glossy, winking take on a bounded universe of writers and editors and marketing campaigns." If you need a show and love literary references, Younger might be the way to go.