Few people know that Roger Ebert was an ardent Anglophile, so much so that in 1986 he wrote an obscure little book, The Perfect London Walk, in which the lifelong film critic laid out his preferred walking path through the city. Over at Slate, Katie Engelhart reviews the book, which apparently still functions as a guide to a decent stroll.
Your Country Rocks
Don’t Be Her
Want to be a female travel writer? That's great, says Jessa Crispin, just please don't be Elizabeth Gilbert.
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Short Form
"Aphorisms are linguistic memes. They were, in essence, an attempt by Greek philosophers to go viral 2,500 years before the internet existed." On the form of the aphorism, and Sarah Manguso's new book.
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Boy, Girl, Book?
Is the practice of using writing as a metaphor for birth, or birth as a metaphor for writing, in need of an overhaul? Stephanie Feldman for Electric Literature has some strong opinions on the subject. Motherhood on the brain, now? Check out this moving essay for The Millions on mothers and sons by Rachel Basch.
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This Week in Russian Lit.
The Morning News has just launched a series on contemporary Russian literature. For this week's installment Anna Starobinets provides an exerpt of her debut manuscript, An Awkward Age, and chats about her writing with Elizabeth Kiem. In the New Yorker, Sally McGrane profiles Boris Akunin, Russian writer of potboilers and political dissident.
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T. S. Eliot: Proud Banker
Many aspiring writers wind up in publishing jobs or teaching posts. Some view the career choice as a happy union between their creative interests and their vocational qualifications. T. S. Eliot was not so. In an article for The Rumpus, Lisa Levy notes that the poet continued "to work at the bank even after his poems [became] successful," and that the poet found the work "more conducive to writing poetry and criticism than taking a more literary job might be."
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Tonight on 4th Avenue: Victor LaValle and Robert Lopez
Tonight at the Pacific Standard Fiction Series in Brooklyn, Victor LaValle, author of Big Machine (which, according to Edan boasts "one of the best voices to come out of literature in the last…oh, ever, probably"), will be reading with Robert Lopez, author of Kamby Bolongo Mean River. As usual, I'll be hosting; it would be great to see you there. For more information, see Time Out New York.
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The Marriage Plot Problem
Have novels about love lost their gravitas as women's liberation and divorce culture have taken over? Adelle Waldman doesn't think so. In The New Yorker, she defends the timelessness of the marriage plot. "As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface." Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman's essay.