Few people know that Roger Ebert was an ardent Anglophile, so much so that in 1986 he wrote an obscure little book, The Perfect London Walk, in which the lifelong film critic laid out his preferred walking path through the city. Over at Slate, Katie Engelhart reviews the book, which apparently still functions as a guide to a decent stroll.
“Some of the most impassioned conversation in the literary world has been devoted to highlighting what it lacks: voices of people of color, of gays and lesbians, of those marginalized or oppressed or simply ignored. Look a little closer, however, and you’ll notice this conversation focuses on race and gender while paying less attention to a demographic category that’s arguably just as determinative: class.” Adam Fleming Petty on the marginalization of working class lit.
Shirley Clarke, older sister of Elaine Dundy (who wrote Millions favorite The Dud Avocado), was an Academy Award-winning filmmaker. If you’re curious about her work, you’ll be happy to learn that Milestone Films will soon begin their Shirley Clarke Project by releasing her restored documentaries, and on Friday, May 4th, they’ll be releasing her first film, The Connection. You can check out a trailer here. (via)
The Guardian‘s Max Liu highlights several rising star Asian American authors, including Year in Reading 2017 participant Jenny Zhang. “After years on the peripheries of US fiction and poetry, Asian American authors have stepped into the spotlight during 2017. Books by writers of east and south-east Asian heritage are one of the hottest trends this year. […] Transcultural writers, born to immigrant parents in the US or immigrants themselves as children, they are channelling their experiences into writing that, with perfect historical timing, challenges readers to resist attacks on immigrants’ rights and to see refugees as individuals with unique stories.”
“I couldn’t tell if a poem I was writing would come to anything or not until the last line was there. That’s always been my method. I may have revised less than some other poets, but I think I write as much crap as anyone.” Kaveh Akbar interviews Sharon Olds about inspiration, contemporary poetry, and rejection letters for Divedapper. Pair with this Millions piece, featuring seven editors looking back on their rejection styles.