Apart from the fact that Anglo-Indian slang is an interesting topic in its own right, you should read this article simply to reward the writer for this lede: “Pyjamas did not exist until the 19th century.”
Out this week: Ember Days by our own Nick Ripatrazone, Early Warning by Jane Smiley; Madam President by The View co-host Nicolle Wallace; Black Run by Antonio Manzini; Devotion by Maile Meloy; Collected Poems by Michael Gizzi; Volume 5 of The Letters of T.S. Eliot; and Book 4 of My Struggle by Karl Ove Knausgaard. For more on these and other new titles, check out our Great 2015 Book Preview.
Popular bookmakers Ladbrokes have announced their opening odds for the 2013 Nobel Prize in Literature. Smart money seems to favor Haruki Murakami, who would surely take the prize if it depended on recent book sales. Meanwhile the next two favorites are Joyce Carol Oates (6/1) and Hungarian author Péter Nádas (7/1). All signs point to this being another year of disappointment for Philip Roth’s fans – his odds of winning stand at 16/1.
Originally, the film 2001: A Space Odyssey included more narration by co-writer Arthur C. Clarke, whose short story “The Sentinel” was the basis for Stanley Kubrick’s script. At the last minute, Kubrick decided to cut them out, which led to Clarke leaving the US premiere halfway through. In a piece for The New Statesman an old friend of Clarke’s explores his side of the story. You could also read Ted Gioia on a weirdly predictive ’60s sci-fi novel.
The final installment of Elena Ferrante’s Neapolitan Novels, The Story of the Lost Child, hits shelves next week. Emma Adler at Electric Literature has compiled a helpful Ferrante Study Guide if you’re feeling a bit lost. Cora Currier’s Millions essay on “reading Italy” through Elena Ferrante’s body of work is an ideal complementary read.
“Say surrender. Say alabaster. Switchblade. / Honeysuckle. Goldenrod. Say autumn. / Say autumn despite the green
in your eyes. Beauty despite / daylight. Say you’d kill for it. Unbreakable dawn / mounting in your throat. / My thrashing beneath you / like a sparrow stunned / with falling.” Last week, Ocean Vuong published his newest collection, Night Sky With Exit Wounds. This week, it seems to be all anyone can talk about (because it’s fantastic). Here’s a piece from The New Yorker on Vuong and his designs for the English language.