Book trailers are one thing, but what’s a literary short film? According to Red 14 founders Adam Cushman and Mike Sandow, “it’s not advertising a product; it gives a cinematic glimpse into the book, one which will ideally make the viewer interested in learning more about the author, the author’s current book, and the author’s past and future work.” Together, the pair has launched a Kickstarter campaign to fund four such films about four worthy titles (Matt Bell’s awesome debut novel among them).
The new year is, of course, a time for resolutions, and Electric Literature has collected literary resolutions from Alexander Chee, Year in Reading alum Emily Gould, Yelena Akhtiorskaya, and many more. Coming out of the hectic holiday season, Jonathan Lee's resolution seems particularly apt: “My literary new year’s resolution is to read slower. I want to try and re-discover the kind of reading where you savor every page instead of thinking about unread emails, progress through the book, progress through the to-be-read pile, and the quantity of remaining tea bags in cupboard.”
"The immigrant who arrives too late in life to adapt to his new country, but too early to survive on nostalgia for the old country, has to create a third, imagined country to live in." Peter Pomerantsev writes for the London Review of Books about Brighton Beach, Russian immigrants and a "self-made America." Pair with Matthew Wolfson's review of Yelena Akhtiorskaya's novel of Brighton Beach and Odessa, Panic in a Suitcase.