A group of Austrian artists aims to “reconfigure and recontextualize” a memorial to Austrian poet Josef Weinheber, who engaged in Nazi activities and wrote numerous pro-Hitler propaganda pieces. Michael Kaminer caught up with Eduard Freudmann, the leader of the Vienna-based push for recontextualization, who hopes to spark a debate “about how to proceed with the … artistic reconfiguration of a Nazi monument.”
NY Press has a long look at the history of iconoclastic indie press Soft Skull, which recently shuttered its New York office, effectively ending the publisher’s run as a standalone press and making it just an imprint of California-based parent (and, it should be noted, rescuer from financial straights) Counterpoint. Incidentally, I’ve had a front row seat for all this, as, for the book I’m co-editing, I was initially working with the good folks in New York and then everything was suddenly (and thankfully without a hitch) transferred to the folks in Berkeley. (Thanks, Craig)
“Write a short story from the point-of-view of a babysitter who one summer night witnesses something she never expected to see in her life, and then do a ‘find and replace’ in your Word doc until each instance of ‘babysitter’ becomes ‘Navy SEAL.'” Leigh Stein shares some “Writing Prompts for Girls and Women” with The Rumpus. Pair with our own Emily St. John Mandel‘s review of Leigh Stein’s The Fallback Plan.
With the advent of e-readers, books on the subway are getting harder and harder to spot. It takes dedication to get a sense of what people are reading these days. At The Awl, Ben Dolnick sets out to catalogue a week’s worth of sightings, which included a man reading Cloud Atlas and The Stranger and a teenage girl reading Thornton Wilder’s Our Town. You could also read our own Nick Moran on the question of whether e-readers are really green.
It exists! The long-lost letter from Neal Cassady that inspired Jack Kerouac to write On the Road will be auctioned next month at Christies, ending an 18-month-long battle over its ownership and another 60-year-long battle over its existence. As Kerouac said, “It was the greatest piece of writing I ever saw, better’n anybody in America, or at least enough to make Melville, Twain, Dreiser, Wolfe, I dunno who, spin in their graves.”
Walter White is the new Walt Whitman. “Both are intellectual pioneers in their fields, their legacies—centuries apart—demanding risk, casting them outside of society, gliding out into the world, liberated from societal constraints,” Kera Bolonik writes about Whitman’s influence on Breaking Bad.
Looking for a way to spice up your short story? Add a ghost. “This is going to sound strange, but what your story really needs is a ghost,” Lorrie Moore said in an interview with The New York Times. She discussed her new professorship at Vanderbilt and her new short story collection, Bark, which, yes, does contain a ghost story.