Recommended Reading: Charles Simic’s ode to Summertime. (Trust me, you’ll need this. It’s brutal outside and we need to remember why we even bother with it.)
“What kind of birdie are you?”
Junot Díaz’s Twitter Fiction
As part of the ongoing Miami Book Fair International festivities, WLRN is giving readers a chance to co-author a story with Junot Díaz. Beginning at 5pm today, they will tweet out the first line to a story—provided by Díaz—from their Twitter account. Then readers will use the hashtag “#WLRNStory” to add onto Díaz’s line, and later each other’s lines, and ultimately the entire thing will unfurl before them.
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Koestenbaum on Levé
Humiliation author Wayne Koestenbaum takes a page out of our own Mark O'Connell's book to review Édouard Levé's Autoportrait.
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In Thrall of Print Mathematics
Former nytimes.com design director Khoi Vinh tries to renew his digital subscription to the paper, and it doesn't go well: "The total customer experience here is haphazard at best, and, at worst — I hate to say this because I am still friendly with many people at the company, but in truth there’s no way around it — it’s insulting."
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Approaching Parity
"If we are looking for a single category to explain why women are better represented among best-selling authors today, the Literary/None category is our best candidate. Most best-selling books fall into this category, and its change over time closely matches the overall gender ratio, shifting from extreme bias in the 1980s to close to parity in the 2000s." Rosie Cima has put together a beautifully thorough and thoughtful analysis of gender, best-seller lists, and publishing for The Pudding. For a more exegetical analysis, consider our own Sonya Chung's exploration of writing across gender lines.
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Findings
Is Findings.com a "social network that may actually make you smarter”?
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Fin
How would you feel if your novels all fell apart at the end? The writer Ann Bauer knows this feeling, and it’s painful -- she says that her readers inevitably tell her the endings of her novels are all wrong. (You could also read our own Sonya Chung's essay on literary endings.)
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