Hunter S. Thompson was a man whose reputation preceded him. Let's honor his legacy the way he probably would have wanted–by taking a look back at a list of the crimes he committed in the Big Apple. If you don't know anything about Hunter S. Thompson, this job application that he sent to the Vancouver Sun in 1958 should get you started.
Echoing Kevin Hartnett's new year's resolution here at The Millions, Colson Whitehead tells writers to quit bitching about getting distracted by the internet.
Another big week for books is headlined by Michael Chabon's Telegraph Avenue (the book's opening lines) and Junot Díaz's This Is How You Lose Her. Also out are Susan Straight's Between Heaven and Here, touted debuts The People of Forever Are Not Afraid by Shani Boianjiu and The Yellow Birds by Kevin Powers, How Music Works by Talking Heads frontman David Byrne, and Bob Woodward's latest Beltway tick-tock The Price of Politics.
Riffing on R&B singer Ernie K-Doe’s one-time statement, Chris Rose writes in the Oxford American, “I’m almost positive that all music, at least all American music, comes from Louisiana.” The essay appears in this year’s OA Southern Music Issue, a reliably excellent source of tunes and writing. Indeed, as Dwight Garner put it in The New York Times, the CDs that accompany each annual issue “practically belong in the Smithsonian.”