“The Dares. We’d been at them all summer: making each other do stuff, alone or together, just for the fun of it. Girls like us, with high GPAs and not a single boy looking our way, needed a little danger to get us through the summer.” Our own Edan Lepucki has a short story, “Ambulance of Boys,” on Storychord.com.
Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
“I think it’s important that poets exist in societies because they exist in the realm of affect. Feeling is important to them. How people feel, what they feel, what breaks them, how trauma resonates through their lives... that’s a legitimate space in poetry. It’s a legitimate space for investigation.” Aaron Coleman interviews Citizen author Claudia Rankine about intimacy, her writing process, and her experience in an MFA program.
"The morning after the opening sentence took shape, Heller “arrived at work”—at the Merrill Anderson Company—“with my pastry and container of coffee and a mind brimming with ideas, and immediately in longhand put down on a pad the first chapter of an intended novel.” The handwritten manuscript totaled about 20 pages. He titled it Catch-18. The year was 1953." Happy Birthday Joseph Heller, author of the anti-war classic Catch-22, born this day in 1923 in Coney Island, New York.