Writing about a foreign country is always a dodgy proposition, but it seems to be especially thorny when English people and Americans take on their transatlantic brethren. Looking over two contributions to the genre by English writers — Terry Eagleton’s Across the Pond and A.A. Gill’s To America With Love — Carlin Romano concludes that neither manages to “teach us something new about ourselves.”
Uncommon Language
Gary Shteyngart, Viral Video Star
It seems like Gary Shteyngart may be embarking on a new career as a viral video star (remember his wacky book trailer for the hardcover of Super Sad True Love Story?). Here he is with Paul Giamatti in a "buddy comedy" touting the paperback.
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Writers on Writing
Recommended listening: Writers on Writing, a playlist of TED talks from NPR that pair well with our own Nick Ripatrazone's essay on "vertical writing" and Michelle Huneven's breakdown of "The Trouble With Writing."
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Rest in Power
"Everyone who’s been reading the manuscript is in tears by the second chapter.” Tracy Martin and Sybrina Fulton, parents of Trayvon Martin, have signed a deal to publish a book titled Rest in Power: The Enduring Life of Trayvon Martin; its release is scheduled for January 31, 2017. Might we also recommend Ismail Muhammad's piece from earlier this week on Frank Ocean, "looking again," and the black male body – you'll feel more whole for having read it.
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On Bookends
We’ve covered The New York Times Bookends column before. This week, James Parker and Liesl Schillinger discuss why we should read books considered “obscene.” Our own Matt Seidel reveals the rejected questions for the Bookends column.
Millenial Think-Piece Bingo
Millennial think-pieces can be a bit redundant. Next time you encounter an article, bring this bingo board with you. For refreshing writing on millennials, our own Kaulie Lewis reflects on Marina Keegan’s The Opposite of Loneliness.
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Up There
Northern England has its own distinct genre of crime fiction, yet it’s never taken off abroad the way its counterparts in Scandinavia and Scotland have. In The Guardian, AK Nawaz wonders why this is, arguing that “there is an argument for a common and marketable 'Northernness' - if not an identity, then perhaps a literary state of mind.”
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