“Few countries that debuted in the 1700s have been as controversial or long running (it’s into its 237th season now) as America. It may not have the staying power of perennial favorites such as China or the credibility of indie darlings such as Finland, but America has proven that it can at least make some cultural impact. It’s not the best, but hey, they can’t all be Louie.”
The longlist for Canada’s 2010 Scotiabank Giller Prize has been announced. Notable omissions: “Ilustrado by Montreal’s Miguel Syjuco, which won the Man Asian Literary Award before it was even published; Beatrice and Virgil, Yann Martel’s first novel since his breakthrough Life of Pi; and, most notably, Room by Emma Donoghue, which was recently shortlisted for the Man Booker Prize.”
in the film version of Fahrenheit 451. In the New York Times this week the director Ramin Bahrani talks about his love of books, how he decided which books to turn in the film and why he wanted to bring this novel to the small screen in the first place. It will air on HBO next Saturday (May 19th).
Over at Bloom today, a sneak look at an excerpt from Viet Thanh Nguyen‘s The Sympathizer, featured this week on the cover of the NY Times Sunday Book Review and out April 7. Writes Philip Caputo, Nguyen “brings a distinct perspective” to the Vietnam War that “reaches beyond its historical context to illuminate more universal themes.”
Not only does China employ some two million censors to monitor microblogs and the internet, but the nation also has a formidable staff – both official and unofficial – to monitor literature and print publications. Indeed, reports Andrew Jacobs for The New York Times, “It is the editors at Chinese publishing houses themselves who often turn out to have the heaviest hands. ‘Self-censorship has become the most effective weapon,’ said the editor in chief of a prominent publishing house in Beijing … ‘If you let something slip through that catches the attention of a higher-up, it can be a career killer.’”