What’s better than being a writer? A writer who gets paid. Manjula Martin and Jane Friedman have launched the new digital magazine Scratch, which gives writers information on how to advocate for their work. The preview issue is free and contains essays on what freelancers can learn from street vendors, Cord Jefferson on outgrowing his materialism, and an interview with Jonathan Franzen. You can subscribe here.
The “David Mamet Appliance Center” has some predictably abrasive customer service representatives. Here is Peter McCleery for McSweeney’s imagining a hilarious and existentially hopeless exchange between customer and technician. The Millions has even more to satisfy your fictitious-Mamet fix: an imagined symposium with Mamet, Francine Prose, and James Wood among others.
In Wayde Compton’s The Outer Harbour, a series of short stories take the reader from the present day to 2025, exploring a near-future Vancouver in which things grow steadily more surreal. As Emily Oppenheimer writes, it’s clearly a work of speculative fiction, yet the setting resembles our own world in uncanny ways. Sample quote: “Compton achieves the more troubling, yet ultimately more satisfying, goal of portraying the fantastical as something that is very much rooted in what we think we already know about ourselves and our world.”
When somebody you’re talking to brings up a writer — say Richard Russo — that you haven’t read, but should have, you probably say you haven’t read them because you “just don’t where to start.” Unfortunately, the folks at Book Riot just published a book, Start Here, that might blow up your excuse.