In an interview with Jonathan Lethem, the NBCC’s Jane Ciabaratti offers, inter alia, a sympathetic reading of Chronic City; both have more affection than Kakutani did for what Lethem calls “the claptrap contraption plot I invented.” Meanwhile, The Wall Street Journal, in a flash of inspiration, assigns the book to the estimable Alexander Theroux – the only non-Latin writer who can credibly use the word “prosopographical” in a review. (But, attn editor: “not a jot” twice? in subsequent paragraphs?) A marathon bi-borough reading of the entire novel continues tonight at McNally Jackson.
Farrar, Straus & Giroux will team up with GQ for something called “The Originals Series.” The series, as stated in a blog post from FSG’s digital marketing manager, will consist of “authors and musicians in conversation, hosted by David Rees (Get Your War On, Artisanal Pencil Sharpening, Kale City), in an intimate West Village loft space. We’ll film each event and edit it down to a compelling short film for broadcast online.” You can RSVP to the November 8th kick-off, which features John Jeremiah Sullivan and the Brooklyn-based band Caveman, here.
Over at the Literary Hub, Morgan Jerkins writes about the struggle to describe blackness. As she puts it, “My hope is to create imperfect, multitudinous black women who are more in tune with themselves than their audiences.” Pair with our own Michael Bourne’s list of books that “shed light on the history and evolution of racism in America.”
“In Proust, the rhythm, the phrasing, the movement of the sentence, even the grammar—it’s all so complex that it would be almost impossible to repeat anyone else’s work. Because of that I’m all the more aware of the differences, and of how admirable Scott Moncrieff’s work often is.” George Plimpton interviews Richard Howard about translating Remembrance of Things Past, for the Summer 1989 issue of The Paris Review. The interview was reissued to mark Richard Howard’s birthday, who turns eighty-six today.
“Melville fell in love with the dashingly handsome older author the first time they met, and his forbidden passion drove him to create the symbol of impossible longing that now represents American literature to the rest of the world: the white whale.” On Herman Melville’s love for Nathaniel Hawthorne. Pair with a review of Hawthorne’s The Marble Faun.