New this week: My Education by Susan Choi, Five Star Billionaire by Tash Aw, Loteria by Mario Alberto Zambrano, The Unknowns by Gabriel Roth, and a new edition of a previously hard to come by early collection of stories by John Banville, Long Lankin. Stay tuned for our big second-half preview with many, many more anticipated books, coming in less than a week.
“Internet reading takes up my time without my setting that time aside for it, and fills me with images and thoughts that I don’t perceive going in, like radiation… In these online minutes or hours, I drift along with my mouth open, absorbing whatever’s floating by, never chewing or even swallowing, just letting it all seep pre-chewed into me”: an elegant argument against reading about books before you read the books in question at Electric Literature. (But we hope you’ll continue to read The Millions anyway.)
Cloud Atlas author David Mitchell and his wife KA Yoshida (who have an autistic son of their own) translated the latest work from Naoki Higashida, who uses an alphabet grid to communicate. The resulting memoir from the thirteen year old boy, The Reason I Jump, is scheduled for an August release. Hari Kunzru has a sneak preview of the book’s cover.
It’s a common saying among actors that the script does most of the work. Which raises an interesting question: is it possible for a great writer to make art out of a bad story? At The Kenyon Review’s blog, Amit Majmudar says it is, using Shakespeare as proof. Related: five experts on the Bard’s greatest plays.