Sergeant Ed Drew’s tintypes of the war in Afghanistan are the first tintypes made in a combat zone since The Civil War. Drew made them for his son. “I wanted him to know his father in the event that I was killed in action and it became less important that my work was done in tintype than that I could show the humanity of war in the eyes of airmen I fly combat missions with,” he said.
The term “regionalism” doesn’t have quite the lustre for poets that it does for fiction writers, yet poets undeniably reflect their roots in their work. In an essay, Sandra Beasley makes the case for embracing regionalism in the poetry world, citing Claudia Emerson as a model for profitably committing yourself to one place.
Guernica sits down with political cartoonist Ted Rall to talk about his new book, Snowden. “I spent a lot of time drawing Snowden for this book, and I really don’t understand his hair. If I ever meet him, I’m going to request to touch his hair.” For more on cartoons, we reviewed The Best American Comics 2014 (guest edited by Scott McCloud, who we interviewed earlier this year).
"If the sentences are meticulously made, I’ll read anything, whether it’s as destabilizing as a Gary Lutz short story or as melancholy as a Chris Ware comic. The only books I give up on are texts where the writer’s attention is concentrated so heavily on narrative questions that his or her use of language becomes careless." Anthony Doerr, whose All The Light We Cannot See won the 2015 Pulitzer Prize for Fiction, discusses genre, Calvin and Hobbes, and the 2,080 books he still wants to read as part of the New York Times Book Review's By the Book series.