“Women writers who kill themselves—are somehow perpetually on display, or even on trial. They must answer for their art and their final act against the world and their husbands and children, born and unborn,” Kevin Kanarek said in a Rumpus interview about his mother, Pamela Moore. Her 1956 novel, Chocolates For Breakfast, has just been reissued. Pair with: Alison Balaskovits’ post on VICE‘s infamous fashion editorial on the suicides of famous women writers.
What’s the one question you should never ask a writer starting a new book: how’s the writing going? “Nothing can damage a novel in embryo as quickly and effectively as trying to describe it before it’s ready,” Mark Slouka writes. Follow his advice for how to keep your writer friends.
From The Things They Carried to Billy Lynn’s Long Halftime Walk, veteran literary fiction has always been popular, yet women are almost nowhere to be found in war literature. At The New York Times, Cara Hoffman argues that leaving women out of combat literature makes returning from war even more isolating. “They would be made visible if we could read stories that would allow us to understand that women kill in combat and lose friends and long to see their children and partners at home.”