“Women writers who kill themselves—are somehow perpetually on display, or even on trial. They must answer for their art and their final act against the world and their husbands and children, born and unborn,” Kevin Kanarek said in a Rumpus interview about his mother, Pamela Moore. Her 1956 novel, Chocolates For Breakfast, has just been reissued. Pair with: Alison Balaskovits’ post on VICE‘s infamous fashion editorial on the suicides of famous women writers.
Out today are Zsuzsi Gartner’s Better Living Through Plastic Explosives, which was shortlisted for Canada’s top literary prize, and Antifragile: Things That Gain from Disorder bestselling expert on chaos Nassim Talib. Out in paperback: The Paris Wife by Paula McLain and How It All Began by Penelope Lively.
Do yourself a favor and pick up a copy of Stonecutter. In the most recent issue, you’ll find our own Lydia Kiesling’s essay on cigarettes and literature; in Issue #2, you’ll find Mark O’Connell discussing Roberto Bolaño’s Between Parentheses. You read that correctly: 50% of all Stonecutter issues feature Millions staffers.
“Avoid using the term generically and without definition, however, because it is not well known and the term may exist primarily as a public-relations device to make its supporters’ actual beliefs less clear and more acceptable to a broader audience. In the past we have called such beliefs racist, neo-Nazi or white supremacist.” The Associated Press addresses the term “alt-right.”
In a 6,000 word essay for The Point, founding editor Jon Baskin wades into the personal and professional psychodrama of the Franzen–Wallace friendship. Beneath the public surface, finds deep questions about the “novel of the self,” the “novel of society,” and the life worth living.