Recent estate sales, auctions, and rights deals concerning the legacy and works of William Faulkner are “raising complex questions about what happens to the works of great writers after they die,” writes Stefanie Cohen. “For their part, Faulkner’s heirs say they aim to both honor the writer’s work and raise funds.” (Bonus: the ongoing, public legal battle over rights to Harper Lee’s To Kill a Mockingbird.)
The Rights of Southern Writers
Reactive Female Characters
Melissa Hillman, the artistic director at Berkeley’s Impact Theatre, explains “A Common Problem [She Sees] In Plays By Women Playwrights. (It’s Not What You Think.)”
●
●
Writing the Transracial Adoptee Experience
“I wanted to be really careful about not pretending to write The Transracial Adoptee’s Experience, because (1) there is no such thing, it’s going to be different for everyone, and (2) I feel strongly that those stories should be told by the adoptees themselves, if they choose to share them,” Year in Reading alum Celeste Ng, author of Little Fires Everywhere, in conversation with Nicole Chung.
●
●
New from Neil Gaiman
Exciting news, Neil Gaiman fans! The author will release The View from the Cheap Seats, a collection of his non-fiction work, this May. For more Gaiman, check out our own Tess Malone’s review of The Ocean at the End of the Lane.
●
●
Egyptian Writers on the “Unfinished Revolution”
In the run-up to the Egyptian elections, writers and booksellers discuss the military clampdown following Mubarak’s fall.
Jane Austen Was Born in a Log Cabin
The Onion continues its blockbuster literary coverage with a look into the mind of an ordinary English professor. Her epiphany? No matter what she says, her students will believe her.