Recent estate sales, auctions, and rights deals concerning the legacy and works of William Faulkner are “raising complex questions about what happens to the works of great writers after they die,” writes Stefanie Cohen. “For their part, Faulkner’s heirs say they aim to both honor the writer’s work and raise funds.” (Bonus: the ongoing, public legal battle over rights to Harper Lee’s To Kill a Mockingbird.)
“I say peel back the immediate surface layer and let’s see what’s actually underneath, if it’s possible to find that out. As a child, of course, I grew up looking under dead logs to see if there might be a newt. Most of the time there wasn’t a newt. Sometimes there was.” Margaret Atwood talks newts and skepticism in a new interview over at Hazlitt. Atwood’s newest, The Heart Goes Last, is out now.
As noted on Arts & Letters Daily, Yale’s decision to shutter its Initiative for the Interdisciplinary Study of Anti-Semitism raises the question, “Where does scholarship end and advocacy begin?”
Early on in her career, the poet Muriel Spark decided that Mary Shelley was criminally underrated as a writer. In bringing the Frankenstein author the fame she deserved, Spark wrote a biography, distanced Shelley from her famed poet husband and labeled her “the founder of science fiction.” (Related: our own Lydia Kiesling on Spark’s The Prime of Miss Jean Brodie.) (h/t Arts & Letters Daily)
This week sees the release of Edward St. Aubyn’s final “Patrick Melrose novel,” At Last. A new, omnibus edition of all the novels in the series is also out. Steve Erickson’s new novel These Dreams of You is out, as is The Art of Hearing Heartbeats, a debut effort set in Burma by German novelist Jan-Philipp Sendker. This week also sees the release, on Blu-ray, of the 50th anniversary edition of To Kill a Mockingbird.
Thanks to Jane Friedman, the Virginia Quarterly Review is really blossoming of late when it comes to social media and increased web presence. Case in point: these once-a-week poem posters on their Facebook page. Extra case in point: the sort-of-not-so-secret Tumblr they’re working on!
Francis Spufford’s fictionalized book Red Plenty looks to the 1950s-1960s “cybernetics” initiative to answer one of the main questions about the USSR: “Could the Soviet project to build communism have succeeded, or was it doomed to failure from the start?” In his review for The Hoover Institution, Marshall Poe contends the latter.