Recent estate sales, auctions, and rights deals concerning the legacy and works of William Faulkner are “raising complex questions about what happens to the works of great writers after they die,” writes Stefanie Cohen. “For their part, Faulkner’s heirs say they aim to both honor the writer’s work and raise funds.” (Bonus: the ongoing, public legal battle over rights to Harper Lee’s To Kill a Mockingbird.)
The Rights of Southern Writers
Birnbaum and Giraldi
Robert Birnbaum talks to William Giraldi, author of Busy Monsters, about Val Kilmer, Diana Ross, and Gerard Manley Hopkins, among other topics.
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Thees and Thous
Recommended reading: a new, previously undiscovered story and accompanying poem by Charlotte Brontë. The story is rife with flogging and embezzlement–all the good stuff! Here’s a bonus piece on how Charlotte is at least partly responsible for the success of the Bronte sisters as a whole.
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Tuesday New Release Day: Murakami; Lively; Lehane; Toibin; Lepucki
Out this week: Men Without Women by Haruki Murakami; The Purple Swamp Hen by Penelope Lively; Since We Fell by Dennis Lehane; House of Names by Colm Toibin; and Woman No. 17 by our own Edan Lepucki. For more on these and other new titles, go read our most recent book preview.
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“All dialogue? Really?”
Seeing as the latest Dave Eggers book consists of all dialogue, it’s a good time to look back on the history of all-dialogue novels. Alexander Kalamaroff, writing for The Rumpus, identifies a few examples, among them The Waves by Virginia Woolf and numerous works in Sixty Stories by Donald Barthelme.
The Book of Exodus
“What we call them is entirely irrelevant: emigrants, migrants, refugees, exiles—we all know to whom we refer. Refugeedom is our common cultural meme. It is the story with which Christian civilization begins. We bear the imprint of the furious index finger God used to banish Adam and Eve from Eden.” Dubravka Ugrešić writes about displacement and the refugee crisis for the Literary Hub. Pair with Arnon Grunberg's Millions essay on Ugrešić’s legacy.
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Impolitic
Is all literature political? Is this political? Are you political?
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Self-Knowledge
At Electric Literature, on knowing that it's time to give up your novel.
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