The Joy of Work
The Atheist Had It Coming
Has something dreadful happened at the bus stop? Are you running late for the revival? These are a few of the many ways to tell whether or not you’re actually living inside of a short story by Flannery O’Connor.
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Glitterati
Ever got the feeling that literary life used to be a lot more glamorous? Well, thanks to this review, we now have some proof that it was. In The Times Literary Supplement, a review of Antonia Fraser’s new memoir, which includes her memories of meeting the Queen and dancing with T.S. Eliot. (h/t Arts and Letters Daily)
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Oddest Titles of the Year
Nominees for The Bookseller Diagram Prize for the Oddest Title of the Year have been announced. My favorite, which to me is not odd at all actually, is Bacon: A Love Story. Scatology abounds in this list, including: Peek-a-poo:What’s in Your Diaper, and The Origin of Faeces.
Sun Ra’s True Birthday
Seth Colter Walls shares some Sun Ra tracks while commenting on the conclusion of his Arkestra’s tour in Lincoln Center. As always, any piece about the musician is enriched with a reading of Jake Adam York’s poem, “At Sun Ra’s Grave.”
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Frog and Toad Are Friends
“Millennials are so frequently hyped as the first digital generation that people tend to forget that we were raised first and foremost with books. TV and the Internet may have shaped our identities, but so did old-fashioned, printed stories.” Everybody is tired of the word “millennial,” but this piece makes some great points about Arnold Lobel’s Frog and Toad series and how it taught children to understand and appreciate their individuality.
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Highly Recommended
Some kind soul has put the title story from Alvin Levin’s under-appreciated collection Love Is Like Park Avenue online for all to enjoy. That means you.
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To the Edge of Sanity
Edmund Wilson famously said of the works of H.P. Lovecraft that “the only real horror in most of these fictions is the horror of bad taste and bad art.” In time, however, Lovecraft developed a substantial following, which raises the question of what attracted readers to his work. The answer? “The weird realism that runs through his writings undermines any belief system – religious or humanist – in which the human mind is the centre of the universe.” Related: Ben Dooley on the scariness of House of Leaves.
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