Mike Sonksen takes a look at both Tinfish and Bamboo Ridge Press, as well as a handful of influential Hawaiian writers, as he investigates “Maui, Pacific Literature, and the Aloha Spirit.”
The Epicenter of Pacific Literature
Draw It With Your Eyes Closed (On The Internet)
Draw It With Your Eyes Closed, which has been a fixture on our Top Ten lists of late, has launched a companion website to “expand on the previously published content, allowing a broader range of teachers, students, and artists to access, share, and contribute to the project.”
●
●
The Good, the Bad, the Ugly
Looks like you might want to add Noah Hawley’s new suspense novel Before the Fall to your reading list — this review by the New York Times is effusive in its praise. Check out the other side of what a Times review can do and pair it with this review of Laura Tillman’s The Long Shadow of Small Ghosts, which includes such lines as: “Is a book without judgment, a personal view and confidence in its validity still a book?”
●
●
YA Tackling Racial Injustice
In The Atlantic Adrienne Green reviews the growing number of Young Adult novels tackling racial injustice and how this increase on the topic is no coincidence. “Coming out of the crucible of the past few years—during which young people have been integral to pushing conversations about the unjustified killings of black men to the forefront—the novels capture the many ways that teens of color cope with prejudice, whether through activism or personal accountability or protest.”
Every Word of The Great Gatsby…On Stage
In this week’s New Yorker, Rebecca Mead writes about the 8-hour staging of the full text of The Great Gatsby – “Gatz” – at the Public Theater. She and actor Scott Shepherd discuss it on a podcast.
●
●
Poetic Prayer
“I’m interested in character. I’m especially interested in how language—story, memory, names, word choice—reflects and reveals character. The language of the Catholic Church—the liturgy, the prayer, the gospels—was in many ways my first poetry. ” Year in Reading alumna Alice McDermott discusses her short story, “These Short, Dark Days,” published in the latest The New Yorker.
●
●
Lolita, in the Margins
When Vladimir Nabokov developed a screen adaptation for Lolita, his director Stanley Kubrick declared it the “best ever written in Hollywood”–meaning, it seems, most gorgeously novelistic, evocative, readable. Here’s a short excerpt of his screenplay with original margin notes.
●
●