“Even after I realize that we are being robbed, that bullets can shatter glass, that being locked in is no help in this situation, I still feel a vague resentment at having to hand the laptop over. It’s mine. It contains my work, a week of writing, a month or more of photography, personal information. I have hesitated only a few seconds but feel as though I have just woken from a trance: briefly, I imagined myself with a bullet in my thigh, imagined myself bleeding out in traffic in Ojota.” At Granta, Teju Cole writes about living in Lagos.
Amazon, whose tense negotiations with Hachette in the past months have led them to slow ship-times for its books, offered last night “to fund 50% of an author pool—to be allocated by Hachette—to mitigate the impact of this dispute on author royalties, if Hachette funds the other 50%.” Of course, Hachette may find calculating and allocating damages awkward so soon after authors flexed their social-media muscle. Sidebar: Amazon claimed “989 of 1000” items sold would be unaffected by this continuing “business interruption,” which might mean a full 1.1 percent of their business comes from just one mid-sized traditional publisher—heartening news from an unlikely source.
The Russian Ministry of Culture has come under fire recently after accusations were levied by the Russian Writers’ Union of some 500 books having been removed from libraries by authorities in the Komi republic–and another fifty allegedly incinerated in the process. Most of these were textbooks published with money from the Soros Fund, run by hedge fund billionaire and very vocal Putin critic George Soros. A spokesperson for the Ministry of Culture has denied the accusations, stating that “if any books are declared ‘extremist’ through a court proceeding, they are put into the special list of the ministry of justice and immediately withdrawn from libraries. However, even in this case books are not destroyed, they are just not lent out to readers.”
Warren Ellis’s Dead Pig Collector was released this week as a Kindle Single, and with it came a whole heap of extras. To wit: there’s an online excerpt, an author interview, another piece of fiction, and also an accompanying music playlist created by the author. (In that interview, he remarks that his next novel will be based on this talk he gave two years ago.)