Didn’t find the latest New Yorker cartoon funny? Take it up with The New Yorker‘s cartoon editor, Bob Mankoff, who discusses the magazine’s “idea drawings” and humor in his TED talk, Anatomy of a New Yorker Cartoon. Bonus: check out Mankoff’s favorite New Yorker cartoons.
“The half-stripped trees / struck by a wind together, / bending all, / snapping before the power of… / thundersnow? / Oh shit, do you see that? / Thundersnow!” It’s safe to say that William Carlos Williams would have been blown away by thundersnow. Here are a few other classic poems helpfully reimagined for the climate change age.
Ever since Pulphead, we can’t get enough of John Jeremiah Sullivan, so we’re happy to hear he’s at work on his next book, The Prime Minister of Paradise. Sullivan will tell the story of Christian Priber, a German American who tried to establish a utopia in 18th century South Carolina. “This man, he really represented the height of the enlightenment at the time,” Sullivan said during a recent interview at Notre Dame. No word on an official release date yet, but it’s already being optioned for film by Scott Rudin.
It exists! The long-lost letter from Neal Cassady that inspired Jack Kerouac to write On the Road will be auctioned next month at Christies, ending an 18-month-long battle over its ownership and another 60-year-long battle over its existence. As Kerouac said, “It was the greatest piece of writing I ever saw, better’n anybody in America, or at least enough to make Melville, Twain, Dreiser, Wolfe, I dunno who, spin in their graves.”
April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
We’re thrilled by the early buzz surrounding Epic Fail, our first Millions Original eBook. You can learn more about the project courtesy of The New York Times, The Los Angeles Times and Teleread. Of course, you could learn even more about the project by purchasing a copy of the book.
Philip Roth may have retired, but that doesn’t mean he’s done giving interviews. The author recently sat down with the editor of a Swedish newspaper, who talked with him about misogyny, Sabbath’s Theater and the need for “obstinacy” in a writer. (Related: our own Hannah Gersen reviewed Roth Unbound.) (h/t The Paris Review)