The Book Was Better is a podcast that “debates, discusses, and rips into the (often) hastily written and terrible book-of-the-film” adaptations for movies like Wild, Wild West, Hackers, The Net, and (try not to be upset by this one…) Jumanji. (Those episodes can be found here, here, here, and here, respectively.)
"I do not have experiences in order to write about them. I live in order to live,” Rachel Kushner told New York Magazine. Boris Kachka profiles 2013's most critically acclaimed author and 2013 Year in Reading participant about what it was like to grow up with hippie parents, riding motorcycles, and her affinity for the art world.
"Delight in book collecting, and in showing off one’s book collection, is common, if not universal, among readers and would-be-readers. The biggest reason we spend money on books is because we want to read them (eventually), but that isn’t the only reason: we also like to look at them, and to look at other people looking at them." Over at The Point, Jake Bittle considers why we collect books as opposed to simply reading them. He also points out, correctly, that books are very, very unpleasant to move, something our own Matt Seidel can confirm.
As part of their 80th anniversary celebration, the Academy of American Poets recently revamped their website. The updated website now boasts such features as “geographically relevant information (such as local poetry events),” “interviews with renowned poets,” and “free lesson plans tailored for K-12 teachers.” Go take a look for yourself. I recommend starting with Sally Van Doren’s poem, “Thief.”
Andrew Ross Sorkin's financial crisis post mortem Too Big to Fail is slated to get the Hollywood treatment. Curtis Hanson will direct the likes of Paul Giamatti as Ben Bernanke, James Woods as Dick Fuld, and Billy Crudup as Timothy Geithner. (Thanks, Derek)
From The Things They Carried to Billy Lynn’s Long Halftime Walk, veteran literary fiction has always been popular, yet women are almost nowhere to be found in war literature. At The New York Times, Cara Hoffman argues that leaving women out of combat literature makes returning from war even more isolating. "They would be made visible if we could read stories that would allow us to understand that women kill in combat and lose friends and long to see their children and partners at home."
Those of you out there who grew up in the 90s will remember that every disaster movie brought a slew of novelizations into bookstores. Even if the movie in question did badly, you knew that at least two adaptations of the script would pop up on shelves. At Hazlitt, Will Sloan wonders if the age of the novelization is over.