In the Tank, the blog of the New America Foundation, has a new interview up with Konstantin Kakaes, author of the latest e-book from The Millions. Among other things, he talks about what he would do if he ran NASA — “bring back a piece of Mars” — and mentions that the Voyager spacecrafts will keep sending signals back to Earth until at least the year 2025.
Talking with Konstantin Kakaes
He Also Plays Football Tonight at 8pm
They’ve called him a sports icon, a “national nightmare,” an author, and a punchline. They’ve questioned the backlash against him, and tracked his particular brand of “muscular Christianity.” Coincidental religious symbolism has been noted. Yet so far nothing has come close to genius of Jimmy Fallon’s rendition of Tim Tebow as… TeBowie.
Unfamiliar Discourse
Recommended Reading: Je Banach on what literary discourse offers in an age of extremism. For Banach, literary discourse is “the language of our future because it is the language of confronting that which is foreign to us.”
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All The Single Horse Flies
Blue Ivy was the one who made the headlines, but she’s not the only Beyoncé Knowles story this week. Australian researcher Bryan Lessard has paid tribute to the singer by incorporating her name into the binomial nomenclature of an extremely rare horse fly. When asked why he did this, Lennard responded that the fly’s gold-colored abdomen made it “the all time diva of flies.”
On Being an Unfair Teacher
“Classroom lessons may slip quickly through students’ fingers, but the classroom experience lingers in memory. Each teacher offers students a different model of authority and justice. We set our own standards of fairness and sometimes fail to honor them. A teacher swings a heavy club, and we can leave big, purple bruises if we’re not careful.” Ben Orlin writes for The Atlantic about becoming an unfair teacher and then resolving to improve. For more thoughts about teaching, be sure to check out our own Nick Ripatrazone‘s “55 Thoughts for English Teachers.“
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Geoff Dyer on Pagetti’s Syria
The devastating images of Syria shot by Franco Pagetti have been collected into a series entitled Veiled Aleppo. Over at The New Republic, Geoff Dyer writes about one of them. It’s an image, Dyer observes, that features “symbols … of the death throes not of a city but of film.”
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