“I move in a desultory society and often a week or two will roll by without my going to anybody’s house to dinner or anyone’s coming to mine, but when an occasion does arise, and I am summoned, something usually turns up (an hour or two in advance) to make all human intercourse seem vastly inappropriate.” In the new issue of The Atlantic Weekly (not to be confused with the Monthly), a reprint of a classic E.B. White essay.
Out this week: Fates and Furies by Lauren Groff; The Blue Guitar by John Banville; Undermajordomo Minor by Patrick DeWitt; Sweet Caress by William Boyd; The Double Life of Liliane by Lily Tuck; The Marvels by Brian Selznick; Scrapper by Matt Bell; and The Story of My Teeth by Valeria Luiselli. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
“The idea was that whatever I felt or did resonated in life, caused people pain or happiness. This gave me a feeling of huge responsibility even as a child – to the extent that sometimes I had to block my own feelings or wishes. When I started writing fiction, suddenly I was allowed to do what I wanted.” Talking with Etgar Keret.
Perhaps best known for her fiction, specifically her classic The Group, Mary McCarthy became a novelist almost by chance. “McCarthy was good at recycling – a term which she used herself – and good, also, as she admitted, at plagiarizing her own life. Nevertheless, her fiction lives, and some of it has been highly influential.” Margaret Drabble takes us through McCarthy’s major works of fiction, featured in Mary McCarthy: The Complete Fiction which was released this year in a deluxe collection for the very first time.
In his new book, one of three coming out now or soon, Australian poet Clive James assembles his decades of knowledge into a series of mini-essays, many of which originally appeared in Poetry magazine. At Slate, Katy Waldman reads the collection, explaining why it gave her the urge to quote James ad infinitum. You could also read our own Garth Risk Hallberg on the poet’s book Cultural Amnesia.
This week, Granta redesigned its website, which now boasts a spiffy black-and-white aesthetic. If you’re looking for an excuse to check it out, you could do worse than reading Year in Reading alum Hari Kunzru’s “Drone,” a story which appears in their India issue. (They’re also highlighting great pieces from their archives, among them the story “Night” by Alice Munro.)