Edinburgh’s latest whodunnit wasn’t written by Ian Rankin. The Scottish capital’s mysterious book sculptor has struck again. Last summer, she started anonymously leaving paper sculptures at literary locations around the city to promote free access to libraries, museums, and galleries. The latest artwork arrived at the Edinburgh Unesco City of Literature Trust and includes paper feather wings, a safety helmet, and goggles “to provide some protection throughout journey.”
Paper Trail
Home in the Apocalypse
"My mind moves toward apocalypse fictions the way we think about a forgotten friend, or a partner that’s left us—grief becomes its own comfort." Adnan Khan writes for Hazlitt about how apocalypse fictions mirror the immigrant experience and vice versa.
●
●
Zadie Smith’s Big Week
Oh, look, the Paris Review freed Zadie Smith’s “Big Week” from the clutches of their paywall. (Bonus: you can subscribe to a dual subscription to both the Paris Review and the London Review of Books all summer long.)
●
●
RIP Chinua Achebe
According to the Times, The Guardian and other sources, Things Fall Apart author Chinua Achebe has died. Last October, we published a review of his final book, There Was a Country, which you might want to reread as a first step to considering his legacy. (You could also check out our piece on Things Fall Apart.)
●
●
The S Monster
ICYMI, J.J. Abrams (of Lost and Star Trek fame) will release a novel -- conceived by Abrams and written by Doug Dorst -- in October with the enigmatic title of S. Last month, he released the first half of a teaser trailer; this week, he released the second half.
Steady As She Goes
"I prefer ... to believe, in the weird and sometimes happy accidents that result—in this case—in kissing a beautiful stranger in the rain. It didn’t really change anything, but it wasn’t trivial. It was one of those encounters that rises up out of nowhere and sinks back into it, giving off light and energy as it goes." Kim Addonizio's new addition to Guernica's "The Kiss" series is fantastic and life-affirming.
●
●
The Future of the Post-Apocalyptic
"Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it." A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel's Station Eleven.
●
●