At The Space Review, which bills itself as an online journal devoted to the final frontier, Jeff Foust takes a look at The Pioneer Detectives, our new e-book by Konstantin Kakaes. The verdict? “It’s a fascinating reminder of how complex and challenging the scientific process can be.”
On WTF Moments
Best Original Cave Painting
We cover a decent number of literary awards here at The Millions, but we, like most magazines, have a tendency to focus on the present. At the LARB, Andrew Nicholls makes up for this by recounting the very first book awards, in which Mooluu’s “The Beast Attacked” goes head-to-head with Kurtan the Elder’s “Why Half My Face is Missing.” You could also read our own Mark O’Connell on why we care about literary prizes to begin with.
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Miranda July’s Somebody
Miranda July – whose new novel, The First Bad Man, is due in January – has developed a smartphone app that “allows one person to deliver a message to another.” The kicker? Someone other than you will deliver the message verbally and in person. (Sounds like she’s probably due before Congress once again.)
Cold Case Files
The Chilean government has finally admitted that Pablo Neruda may have been assassinated by the Pinochet regime. The admission was followed by a hasty reminder that a panel of experts is currently investigating the matter and that “no conclusion has been reached.” One curious little sidebar: Augusto Pinochet was allegedly an avid collector of books.
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Boo-gali
“Bengali children’s fiction’s limitless supply of ghost stories is matched by little other than its readers’ appetite for it,” writes Siddharthya Swapan Roy. “Anthologies dedicated to ghostly thrills come out with unfailing regularity and every publishing house that does not wish to upset its child readership pays due respects to ghosts and their stories.”
Requiescat in pace, TriQuarterly
TriQuarterly, the long-running trail-blazing literary journal more or less dreamed into existence by the late Charles Newman, is apparently no more, due to budget cuts at Northwestern University. Newman’s foreword to his first issue as editor, reprinted at A Public Space, should be required reading for anyone thinking about the purpose and future of the little magazine and its role in the artistic ecology.