At The Space Review, which bills itself as an online journal devoted to the final frontier, Jeff Foust takes a look at The Pioneer Detectives, our new e-book by Konstantin Kakaes. The verdict? “It’s a fascinating reminder of how complex and challenging the scientific process can be.”
On WTF Moments
Just Stop There
What do Susan Sontag, Joan Didion and Year in Reading alumna Margaret Atwood have in common? They’re all great writers — and they all had only one kid.
Last Orders
For better or worse, the publication date of Umberto Eco’s final book has been bumped up — originally set for a summertime release, Pepe Satàn Aleppe: Chronicles of a Liquid Society is now due out in Italian this weekend. Check out this Eco essay on how to travel with a salmon.
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Appearing Elsewhere
This Thursday, at Housing Works Bookstore in New York, Garth will represent The Millions in a live quiz show called (accurately) Don’t Know Much About Literature. Kenneth C. and Jenny Davis, authors of DKMAL, the book, will host. Co-contestants include Jason Boog of Galleycat, Ed Champion of Reluctant Habits, Jason Toal of HTML GIANT, Catherine Lacey, and Buzz Poole of Mark Batty Publisher. We’re told buzzers and beer are in the offing, and that second round contestants “include you!” We’d love to see you there.
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Editorial Notes
“Writers such as Gary Lutz, Diane Williams, Christine Schutt, and Noy Holland palpably employ, in somewhat different but observable ways, the strategy [Gordon] Lish calls ‘consecution,’ the focus on constructing and linking sentences by considering sound and rhythm as well as sense.” At Full-Stop, Daniel Green examines the editor’s influence in a piece on Noy Holland’s new book.
Tuesday New Release Day: Ellis; Moore; Hodge
Out this week: Normal by Warren Ellis; The Valancourt Book of Victorian Christmas Ghost Stories; and The Best American Magazine Writing 2016. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Deaf Poets Society
The inaugural issue of Deaf Poets Society is out, featuring new “intersectional disability literature & art.” For other recommended reading, don’t miss our Great Second-Half Book Preview.
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Poor Gatsby
The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)
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