We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.
Things you can learn from this interview with Swedish crime writer Henning Mankell: there is a genre called “Scandi-noir;” the time Mankell spent as a sailor acted as “a sort of university;” and the fact that Mankell has been married four times proves that he is an optimist.
At The Awl, Noah Davis provides an honest overview of how difficult it can be to earn – or fail to earn – a living from freelance internet writing. Perhaps would-be freelancers should take a cue from Ian Hamilton’s 1998 London Review of Books essay in which he espoused the benefits – or perils – of accepting prizes and other literary subsidies.
A group of Austrian artists aims to “reconfigure and recontextualize” a memorial to Austrian poet Josef Weinheber, who engaged in Nazi activities and wrote numerous pro-Hitler propaganda pieces. Michael Kaminer caught up with Eduard Freudmann, the leader of the Vienna-based push for recontextualization, who hopes to spark a debate “about how to proceed with the … artistic reconfiguration of a Nazi monument.”
“Dmitri Nabokov, the son of Vladimir Nabokov, who tended to the legacy of his father with the posthumous publication of a volume of personal letters, an unpublished novella and an unfinished novel that his father had demanded be burned, died on Wednesday in Vevey, Switzerland. He was 77.” At MetaFilter, the son daughter of the lawyer for Nabokov’s literary estate remembers Dmitri, who was also a family friend. Dmitri once made a very brief appearance here at The Millions, leaving a comment (which we were able to authenticate as being from Dmitri) on Kevin Frazier’s compelling defense of The Original of Laura.