Neil Gaiman announced the launch of his first video game, Wayward Manor. The horror-fantasy author (whose latest book was recently reviewed by our own Tess Malone) told Mashable that the game follows “the misadventures of a ghost who wants nothing more than a peaceful afterlife.”
Neil Gaiman’s Video Game
Borges’ Self-Portrait
Maud Newton posts a self-portrait by Jorge Luis Borges: “When he drew this, because Burt Britton asked him to, Borges was blind.”
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Do Yourself A Favor
“I remembered Def Leppard for their one-armed drummer arrested for spousal abuse. Meanwhile Prince played, like, twenty different instruments while having sex in the backseat of taxicabs, ducking the Antichrist, and shouting for gun control. Also: girlfriend on drums. What’s fair is fair.” The Prince-related thinkpieces have mostly subsided by now, but this new piece by Dave Tompkins at The Paris Review will make you glad that people are continuing to write about him.
Tuesday New Release Day: Alameddine; Palacio; Semple; Lianke; French; Chang; Zink
New this week: The Angel of History by Rabih Alameddine; The Mortifications by Derek Palacio; Today Will Be Different by Maria Semple; The Explosion Chronicles by Yan Lianke; The Trespasser by Tana French; The Wangs vs. the World by Jade Chang; and Nicotine by Nell Zink. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
On Reviewers, and Paying Them
LA Review of Books editor in chief Tom Lutz has written about the future of book reviews and “a missing generation of journalists.”
An Excess of Symmetry
“What a perfect couple, two halves of the same little orange.” Guernica Magazine has a fantastic flash fiction piece by Andrés Neuman in anticipation of his upcoming collection of stories, The Things We Don’t Do.
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Chemikal Underground Rocks the Audiobook
Chemikal Underground, the Glasgow label that first launched Mogwai and Arab Strap, steps into the literary realm with its first audio collection of stories, The Year of Open Doors. You can listen to an excerpt–Arab Strap’s own Aidan Moffat reads his story “The Donaldson Boy.”
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