Landays are traditional two-line folk poems, and they are particularly popular among Afghan women these days. Recently Poetry magazine dedicated an issue to the short verses, and Dowser has a behind-the-scenes look at how the issue was put together. Previously, New York Times Magazine caught up with some members of Mirman Baheerm, a women’s literary society based in Kabul.
“My body belongs to me; / to others its mastery.”
Fake Pill City
In his new book, Pill City, journalist Kevin Deutsch set out to tell the real story of how, following the 2015 Baltimore riots, Charm City’s streets became flush with heroin and pills. But now local writers are raising serious questions about the veracity of Deutsch’s account. Among others, The Wire creator David Simon has called the book “a wholesale fabrication.” Last week, Newsday announced they were “reviewing Deutsch’s work over the four years he worked here,” and the New York Times, where Deutsch has contributed, followed suit.
What Seems Obvious Is Often Refuted
A new study indicates that when it comes to National Endowment for the Arts grants, “there is not a disproportionate benefit to wealthy individuals.” In fact, the grants often benefit both the rich and poor alike.
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Documenting Death
“Maurice Sendak drew his partner Eugene after he died, as he had drawn his family members when they were dying. The moment is one he was compelled to capture, pin down, understand, see. Where many— maybe most—people look away, he wanted to render. He was very wrapped up in the goodbye, the flight, the loss; it was almost Victorian, to be so deeply entranced with the moment of death, the instinct to preserve or document it. It’s also the artist’s impulse: to turn something terrible into art, to take something you are terrified of and heartbroken by and make it into something else. For the time it takes to draw what is in front of you, you are not helpless or a bystander or bereft: You are doing your job.” On Maurice Sendak and the art of death.
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Rethinking Art
What is the function of the art critic, anyway? According to Barry Schwabsky at The Nation, it is not “making or breaking” an artist, but rather “opening up perspectives without … belaboring them.” For the critically minded among you, here’s a Millions review of A.O. Scott’s new book Better Living Through Criticism.
Egan for President
“The power and meaning of the written word are central to the complexities we face today—both as a nation, and globally. To my mind, freedom of expression is a basic human right.” Pulitzer Prize-winning author Jennifer Egan has been named the new president of PEN America. Pair with: our own Edan Lepucki‘s 2010 profile of Egan.
The new Brooklyn novel
“Like characters in a somewhat less swashbuckling Jack London novel, these are all characters, and writers, who are grappling with their environments.” Our own Lydia Kiesling writes for Salon about the “caucasian, Ivy-educated writers of literary fiction set in Brooklyn” and the novels they’re producing, particularly the just-released-yesterday Friendship by Emily Gould.
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