Exhibit A: Joseph R Worthen’s ongoing series investigating the state of “Fast Food Hamburgers in the Southeastern United States.” (Parts Two and Three, too.) Exhibit B: Blake Butler’s nauseating (yet hypnotic) “Review of the New Wendy’s Pretzel Burger.”
Looking to get into Philip Roth? Not sure where to start in the perennial Nobel favorite’s massive ouevre? Thankfully, the novelist Gabriel Roth is here, swooping in with the only guide you’ll ever need. He explains why Portnoy’s Complaint made the splash it did, why Goodbye, Columbus put Roth on the map, and why the character of David Kepesh is critical to understanding Roth’s legacy. Related: Keith Meatto picks out ten lessons from the author's work.
Recommended listening: Radio Open Source has been broadcasting Anton Chekhov's short stories, with voices including Chekhov translator and biographer Rosamund Bartlett, author Andre Dubus of House of Sand and Fog, and numerous other writers, actors, and scholars. "Chekhov makes you want to be a better person. He makes you want to live a better life." (Unpersuaded? Consider our essays on why reading Chekhov, unlike booze or smokes, will make you a better person in 2014.)
Say goodbye to Sadie Stein! Stein, who is moving on after two years as The Paris Review Daily's correspondent, had this to say: "It is a strange thing to monetize your emotions. Anyone who writes or creates knows this. And the work one does on the Internet feels insubstantial, even by the flimsy standards of intellectual property. Any body of digital work is a funny mixture of ephemeral and immortal, and it’s hard to know how to feel about such an archive."
“The label ‘Immigrant Fiction’ derives from the same problematic Pantheon in which ‘Women’s Literature,’ ‘Black Literature,’ and more, exist. Unlike the genre of, say, science fiction, which describes the content and style of the writing, categories like ‘immigrant’ or ‘Black’ fiction seem to be concerned more with the author’s identity and/or perceived audience.” On literary categories and immigrant fiction, over at Guernica.
On Friday, Jennifer Egan won the 2010 Los Angeles Times Book Prize for Fiction. Michael Lewis won in the nonfiction category, and Peter Bognanni won the First Fiction Prize. See the full list of winners here, and head over to Jacket Copy for some great coverage of the Festival of Books.