Adding to the general hand-wringing over the state of the humanities, Lee Siegel contradicts Leon Wieseltier’s lament that fewer college students are majoring in literature by contending that modern literature courses ruin the joy of reading. “For every college professor who made Shakespeare or Lawrence come alive for the lucky few,” he writes, “there were countless others who made the reading of literary masterpieces seem like two hours in the periodontist’s chair.” (You can also read a similar argument from a humanities professor in The New Republic.)
Chimamanda Ngozi Adichie is almost as famous for being sampled on Beyoncé’s latest album as she is for her novel Americanah. With that in mind, she discussed her writing process, hair blogs, and what feminism means to her in Elle. “It means that I am present in the world, and that I realize that there is a problem with the way we’ve constructed gender,” she said. For more Adichie, read her 2013 Year in Reading post.
Just before he died earlier this year, Nobel winner Günter Grass completed his last manuscript, Vonne Endlichkait, “a literary experiment” that combines prose, poetry, and illustration. The book has just been published in German and will be available in English next year.
“Maybe in the future I’ll feel compelled to write that kind of specific and current book, but right now I feel that my strength as a fiction writer is my ability to take a step back. I prefer to create a more metaphorical story that people can apply to a variety of situations, personal and political.” Electric Literature interviews Kazuo Ishiguro about his most recent novel, The Buried Giant, which our own Lydia Kiesling reviewed here.