A few weeks ago, our own Nick Moran wrote about the closing of Maxwell’s, a Hoboken landmark that doubles as a restaurant and concert space. Now, at The Paris Review Daily, Josh Lieberman goes to the venue’s last Feelies concert, pointing out that “in no way is Maxwell’s an ideal place to see a show, except that it is.”
“Courage is not a word I’d use to describe a lot of today’s fiction. Writing, M.F.A. students are often told, is a messy exploration of the self. The result can be a suffocating narcissism, a lack of interest in the kind of extrapolation and exploration that is necessary to both mathematics and literature.” At Page-Turner, Alexander Nazaryan urges young writers to learn math.
Why did Richard Brautigan’s friends eventually stop inviting him to parties? Was it because he got drunk? Was it because he brought too many friends? Or was it because, as Michael LaPointe suggests in his review of Jubilee Hitchhiker: The Life and Times of Richard Brautigan, he liked to pack a revolver?
Need some great book recs for the summer? Want to hear them from the likes of Emma Straub and our own C. Max Magee? Then mark your calendars for June 18th, when Symphony Space and The Millions are hosting a summer edition of Thalia Book Club. (If you’re interested, get your tickets now — they could easily sell out quickly.)
“Recent research has shown that messy, dark, noisy, booze-filled environments like the one Fitzgerald cultivated at La Paix can, in fact, help stimulate creativity.” The Atlantic reports on the importance of environment for creativite work and / or gives you an excuse to live like Fitzgerald.
Electric Literature has launched the “Read More Women” series—a “stripped-down, feminist version” of the New York Times “By the Book” column—which will feature writers recommending books by women and non-binary authors. First up in the series is Maria Dahvana Headley, author of The Mere Wife.