“I feel very transparent to myself. I’m more like an observer. I’m interested in what’s going on. I’m not sure that I really have a personality,” Joyce Carol Oates said in The New Yorker’s micro documentary about her writing life and routine. Pair with: our essay on Oates’ The Accursed.
“In this here place, we flesh; … Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don’t love your eyes; they’d just as soon pick em out. No more do they love the skin on your back. Yonder they flay it.” Toni Morrison‘s Beloved as featured in a powerful essay by Allyson Hobbs for The Root about black life, Philando Castile, “and the trauma that remains.” See also: a consideration of parallels between Morrison’s Pulitzer Prize-winning epic and The Odyssey.
Writer’s block: the eternal struggle, right? Thankfully, Ted Scheinman asked some of his favorite writers for their remedies, and he compiled them into a helpful list. “Do try these solutions, alone or in combination,” he urges. “’Mix and match’ is the cry.” (Related: You can also check out the “daily routines of famous creative people” for inspiration, as well.)
“We note that there is a great lack of schoolbooks among secondary pupils, due to their weak purchasing power. The books currently in circulation will remain in use, but for purposes of ‘complementary consultation.’” Mozambique’s Education Minister has announced that with the start of the 2017 academic year, its school system will adopt a single book for each subject taught in the country’s secondary schools.