James Franco isn’t done with William Faulkner’s oeuvre just yet. After screening his adaptation of As I Lay Dying (trailer here) at the Cannes Film Festival this year, Franco announced that he plans on bringing The Sound and the Fury to the big screen next.
Where did the authors on late night TV go? They’re all on Craig Ferguson’s The Late Late Show. At Esquire, Sean Manning pays tribute to Ferguson’s literary tastes by talking to some of the authors who appeared on his show, including Neil Gaiman, Salman Rushdie, Sloane Crosley, and more.
Lorrie Moore, who we profiled yesterday, has a new story collection on shelves this week. Also out: Kinder Than Solitude by Yiyun Li; What’s Important is Feeling by Adam Wilson; Wonderkid by Wesley Stace; and MFA vs. NYC, a new essay collection (spun off from an n+1 piece) edited by Chad Harbach.
Gossip is often seen as inherently frivolous and trashy, which is why it’s odd that a poet would use it as the subject of his or her work. On The Poetry Foundation’s blog, Austin Allen writes about George Green’s collection Lord Byron’s Foot, in which, as Allen puts it, “the dish spares no one.” (h/t Arts and Letters Daily)
“Hoaxers make it seem like things are as bad as we fear they are, and they often, especially now, play on our fears rather than our wishes.” The Rumpus interviewed New Yorker Poetry Editor Kevin Young about the inspiration behind his new book, Bunk: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts, and Fake News. Pair with Young’s Year in Reading entry and our review of Bunk.
“I don’t think writing the truth makes you strong by default. I think it makes you vulnerable, which in turn can make you strong.” Amy Jo Burns writes for Ploughshares about the difficulties of “Writing About Other People” and the upcoming publication of her debut memoir, Cinderland.