New York Review of Books Classics is having its annual Summer Sale, and some of the bundles this year are particularly enticing. For instance, you can grab perennial Millions favorite (and current international bestseller) Stoner as part of a bundle that also includes Renata Adler’s Speedboat. The publishers are also offering John Horne Burns’s lost masterpiece, The Gallery, as part of a collection of World War II novels. You may recall David Margolick’s great profile of Burns from the New York Times Magazine last month.
Comics fans will know that a new Marvel storyline may -- just possibly -- reunite Peter Parker and Mary Jane Watson. This has, understandably, produced a range of reactions, not least of which is this piece by Ta-Nehisi Coates, who argues that the two embody a healthy marriage. “[Their] marriage was a rejection of the macho ideal of romance—which reigns even among nerds—and it mirrored and confirmed my own budding sense of what love was at a very young age,” he writes. You could also read Paul Morton on the character of Peter Parker.
"In the end, no special effects, dazzling displays, augmented realities, or multimodal cross-platform designs substitute for content. Scholarship, good scholarship, the work of a lifetime commitment to working in a field — mapping its references, arguments, scholars, sources, and terrain of discourse — has no substitute." Johanna Drucker writes about both the importance and the inherent difficulty of scholarly publishing for the Los Angeles Review of Books.
If you’re not already a fan of Will Self, his new book, Shark, may not be the best place to start. As Walker Rutter-Bowman points out, the book dispatches with many of the conventions of modern writing, including line breaks, paragraphs and dialogue tags. But it’s still an effort worthy of its author, he writes: “Here is a hunk of modernism that poignantly, beautifully, and, it seems, genuinely renders mental states of sanity and insanity while smudging the gradations in between."
"Imaginary Oklahoma" is an ongoing platform at This Land Press in which "some of today's most important and influential writers combine with artists from outside the state [of Oklahoma] to provide a fictional take on this place we call home." New Yorker editor, author of Celebrity Chekhov, and chart enthusiast Ben Greenman has written a piece entitled "Always and Forever."
“Armand’s characters all seem both hugely present and in life’s juice and simultaneously dead, as if rent of brain, nerves, chest, stomach, intestines … Without gods and devils these patients feel that only fire can save them, existing eternally unless burned away.” Australian novelist Louis Armand’s newest, Abacus, is reviewed by Richard Marshall at 3:AM Magazine.
Thanks to recent advancements in digital scanning technology, it looks like the Herculaneum scrolls will be made legible after some two thousand years. The new technique allows for close study of the scrolls without causing irreparable damage to the papyrus via exposure to the moisture in the air, an issue which had dogged scholars for centuries. If the impermanence and tenuousness of writing is more your speed, here’s a bit on Twitter, instead.