Recommended Reading: László Krasznahorkai’s “I Don’t Need Anything from Here,” which might be one of the shortest sentences he’s ever written.
"What knits together the families of Roth’s Newark are adults—some foreign-born but many the children of immigrants—who either experienced the insecurity and deprivation of the Old World themselves or heard stories about it from their own parents. What they want most is to find stability in a neighborhood, in a city, and in a country that offers them the chance at security for their families." On Philip Roth and Newark, NJ.
Jonathan Lethem thinks his work is taken too seriously. "Well, I was just watching Richard Pryor, and he says, 'When you’re dating a white woman, and people don’t like it, you can’t really pretend. You can’t go, "Oh, she’s not with me."' 'You write the big, ambitious books, right?' Well, I guess they are," he said in an interview with Salon. He also discusses being equated with Jonathan Franzen and his new novel, Dissident Gardens.
Eric Harvey presents The Social History of the MP3 at Pitchfork: "So omnipresent have these discussions become, in fact, that it's possible the past 10 years could become the first decade of pop music to be remembered by history for its musical technology rather than the actual music itself."