I Heard You Like Underground So…

“The only way to get something new out of language, to try and get to what feels like the nearest simulacrum of truth, is to bend and shape that language, to break it’s form and strain against it, to coax it into a shape, to play with it. To revel in the disorderly.” Madeleine Watts writes about Eimear McBride‘s A Girl is a Half-Formed Thing (which our own Hannah Gersen recently reviewed), the limits of language and the necessity of a “Girl Canon” for The Believer‘s blog.

Last week, popular science fiction author John Scalzi wrote a contentious (but necessary) blog post that likened the lives of straight white males to “the easiest difficulty setting” in the “videogame” known as life. While comments on the original post had to be closed due to uproar, the piece was reposted to Kotaku where the discussion rages on.

Hanya Yanagihara, the author of A Little Life, writes on reenacting a version of John Cheever’s short story “The Swimmer” by swimming across Martha’s Vineyard. As she explains it, “Swimming in the ocean is writing a novel; swimming in a pond is writing in a diary.” Pair with Nick Ripatrazone’s Millions essay on Cheever’s classic story.

This week brings Richard Ford’s latest novel, Canada, as well as a new novel from Paul Theroux, The Lower River. And Millions favorite and Pulitzer finalist Train Dreams by Denis Johnson is now out in paperback.

Apropos of our recent essay by a student hiding out in a bookstore with spotty Wi-Fi to avoid reading online, The Rumpus interviewed a bookstore and coffeeshop owner who has taken the bold step of making his establishment a WiFi-free zone. “I’ve observed and been told many times about how the availability of Wi-Fi creates a space where people are wrapped up in their own, solitary world and not interacting with each other.”