Recommended Reading: Got a ton of spare time and a nostalgic interest in killer, mechanized war machines? Cool. Me too. Here’s an oral history of Battlebots.
“I decided to stage an event: Robot Wars.”
Punctuate With Extreme Prejudice
Noreen Malone – writing in Slate – launches a rearguard action against the em-dash. Is it fair to harbor punctuation prejudice? If so, a confession: I can’t stand the ampersand.
On Sweet Valley, On Nancy Drew
Over at The Believer, Amy Benfer pens a paean to the serial novels of her youth. “They are the training bras of literature; books that teach young girls how to be older girls before they get there,” Benfer writes.
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The Gifts of Workshop
A translation guide to writing workshops that we’re definitely printing out and bringing along to our next one. “Sometimes when people say ‘show, don’t tell,’ what they mean is that they find the characters sympathetic, the story is moving forward, and they even like the conflict, but they just don’t like the way you wrote it. What they’d really like to do is steal the idea and write it themselves, because honestly, they would do a much better job.”
Our Unhappy Marriage Will Be Revived in Paris
“I Have Inherited The Ancestral Home, But It Is Now A Burden Rather Than A Gift, Which Reminds Me Of Another Burden…The Institution Of Marriage” and every other Modernist novel ever written, via Mallory Ortberg of The Toast.
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Ever Read a Posthumous Interview?
“I certainly didn’t want to do something that felt as if I was having a séance. I started with her most personal papers. I wanted her interior voice; I didn’t want the formal writing. I went immediately to her diaries and letters and to the commonplace books. From there I started looking at the marginalia because I was getting a sense of wanting to know what was on her mind while she was writing in her journals.” Lynell George conducted a posthumous interview with Octavia Butler, Bomb magazine talked to her about the process. Pair it with this essay on slavery in fiction from our own Edan Lepucki.