Recommended Reading: Got a ton of spare time and a nostalgic interest in killer, mechanized war machines? Cool. Me too. Here’s an oral history of Battlebots.
“I decided to stage an event: Robot Wars.”
Tuesday New Release Day: Franzen, Binet, Baldwin, Müller
A new collection of non-fiction by Jonathan Franzen, Farther Away: Essays, is out today. Also out is Laurent Binet’s HHhH, from which we recently published some redacted scenes. Other new releases this week include Rosecrans Baldwin’s memoir Paris, I Love You but You’re Bringing Me Down and Nobel laureate Herta Müller’s The Hunger Angel.
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Cities
The Atlantic asks, “Why do cities matter?” In its own way, n+1‘s City by City series can be read as a response.
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Back to School
Need your monthly dose of Hilary Mantel? The two-time Booker Prize winner has a new story in the London Review of Books (which you can read at their website). The story is a nice complement to our interview with the author from last year.
Tuesday New Release Day: Max, Evison, Levithan
New this week is D.T. Max’s biography Every Love Story Is a Ghost Story: A Life of David Foster Wallace, which we excerpted last week. Also out are The Revised Fundamentals of Caregiving by Jonathan Evison and Every Day by David Levithan.
Project Yosemite
Sheldon Neill and Colin Delehanty’s Project Yosemite is “an ongoing adventure to timelapse Yosemite in a extreme way.” Their first video is (ahem) extremely beautiful.
New Prize for French Literature
Albertine Books, the bookshop of the Cultural Services of the French Embassy in New York City, is offering a $10,000 prize aimed at “introducing American readers to the best French-language novels that have been translated into English.” Among the nominees this year is Bardo or Not Bardo by Antoine Volodine, who was recently the subject of a Millions piece.
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The End of Beauty
Recommended Reading: This essay on Jorie Graham, Modernist poetry, and the resistance of closure from The Nation. In the essay, Ange Mlinko puts Graham in league with such writers as John Ashbery and Frederick Seidel as some of the few living American poets “to have advanced a worldly, Modernist model of the poem into the 21st century.”