In case you missed it: Google bought Frommer’s last August. Then in April, Google announced that it would stop printing hard-copy guidebooks, so founder Arthur Frommer bought his company back. All of this has led Doug Mack to argue that not only do we need guidebooks, but they should be part of the literary canon. “They also stand out for shaping history, if not always intentionally, because of their authoritative reputation—they have long been the best insight into that which would be otherwise unknown.”
“Armand’s characters all seem both hugely present and in life’s juice and simultaneously dead, as if rent of brain, nerves, chest, stomach, intestines … Without gods and devils these patients feel that only fire can save them, existing eternally unless burned away.” Australian novelist Louis Armand’s newest, Abacus, is reviewed by Richard Marshall at 3:AM Magazine.
The latest installment in The Believer’s “What Would Twitter Do?” series (which we’ve mentioned before) features London Review of Books editor Christian Lorentzen, whose Twitter feed, Sheila Heti writes, “seem[s] like what someone who only expresse[s] himself as a fiction writer within the universe of twitter might come up with.” Meanwhile, Heti has a review of The Love Affairs of Nathaniel P. by Adelle Waldman in (where else?) the LRB.
Keeping track of the art mentioned in Donna Tartt’s The Goldfinch is almost as difficult as keeping track of Boris. Fortunately, Laura Petelle made a Pinterest board of all the art in the novel, complete with excerpts. Start reading from the bottom up, and beware of spoilers.