“A very proper letter (‘scrutinized and corrected by the magazine’s fact checkers and proofreaders,’ wrote the Times) was sent to [Robert] Gottlieb, beseeching him to decline the [New Yorker] job,” writes Elon Green in his overview of Gottlieb’s brief stint as the magazine’s editor. How would you feel if Donald Barthelme, Deborah Eisenberg, Ian Frazier, Jamaica Kincaid, Janet Malcolm, J.D. Salinger, and 148 others all told you, “don’t come” to your new job?
Gottlieb’s Letter
The Kiss
Check out a piece from Year in Reading alum Rebecca Makkai about an important kiss at Guernica Mag.
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Mary, Mary, Quite Contrary
“I think if a woman is absolutely happy with herself, that goes a long way in getting others to accept her choices. But it’s hard to be absolutely happy with yourself, whoever you are. I mean, what kind of maniac is that?” What kind of maniac are you? This interview with Mary Gaitskill from Guernica Magazine is fantastic.
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Kubrick’s motionless images
You can look at literally thousands of Stanley Kubrick’s photographs online through MCNY. I’m partial to the sets featuring the child boxers, Rosemary Williams, and Betsy von Furstenberg, but there are gems a plenty.
Translating on a Tether
“There are so many ways to look at translation. One that has recently occurred to me is that of a tether: the translator is tethered to the meaning of the original the way an animal can be tethered to a stake. You can’t take off and roam the hills, but you can definitely move around and experience a comfortable degree of freedom.” Asymptote talks with Juliet Winters Carpenter about Japanese tanka poetry, Machi Tawara‘s Salad Anniversary, and the careful balance of translation.
Elena Ferrante on Bold Adventures, Both Near and Far
Elena Ferrante believes in bold adventures, whether you go to the other side of the world or the other side of the street.
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Meghan O’Rourke on Anne Carson’s Nox
At The New Yorker, Meghan O’Rourke lyrically reviews Anne Carson’s latest work Nox: “Grief is paradoxical … The literature of mourning enacts that dilemma; its solace is mainly in the ritual of remembering the dead and then saying, There is no solace and also, This has been going on a long time.”