William Stuntz’s book The Collapse of American Criminal Justice investigates “how, over the past 50 years, our criminal justice system had been transformed into an unfair, amoral bureaucracy–one that had given up on the very idea of justice.” Its genesis is worth reading about. So, too, is this related article in the most recent edition of n+1, “Raise the Crime Rate.”
Brontë for babies? Board books, those small, sturdy volumes with the glossy cardboard “pages” – generally featuring rounded corners so babies who are teething don’t cut their gums or poke out their eyes, are getting ludicrous. A new series, we’re told on the back covers, “is a fashionable way to introduce your child to the world of classic literature.”
A designer from Copenhagen, Philipp Meyer (not the novelist), has created the first comic book for the blind. “Most of the tactile material that is available for blind people is very information dense. It’s always about information and not often about art,” he says.
“One of the joys of literature is that we can always push back against established ways of speaking and seeing—and nothing has to be blown up.” Mark Z. Danielewski, whose latest novel, the first installment of a 27-book series called The Familiar, has just been released, writes for The Atlantic‘s “By Heart” series about “signiconic” writing, the orneriness of his work and the graphic novel Here. Pair with our 2012 interview with Danielewski.
We already knew that Haruki Murakami was a writer and runner but a former jazz club owner, too? Aaron Gilbreath visited Murakami’s 1970s jazz club, Peter Cat, and found “a drab three-story cement building. Outside, a first-floor, a restaurant had set up a sampuru display of plastic foods.” For more Murakami, read our review of 1Q84.