Bad news for writers: shyness can’t be cured. Good news for writers: shyness makes us more creative.
Book Three of Karl Ove Knausgaard’s My Struggle is out this week, as is a new novel by Millions contributor Emma Straub. Also out: The Lobster Kings by Alexi Zentner; The Untold by Courtney Collins; Above the East China Sea by Sarah Bird; Fourth of July Creek by Smith Henderson; and a new volume of the Collected Works of Gerard Manley Hopkins. For more on these and other new titles, check out our Great 2014 Book Preview.
Michael Chabon is really into prog rock. And I just picked up a couple of great Emerson Lake & Palmer LPs. So now I’ve got a soundtrack for reading Telegraph Avenue, which I’m especially stoked on after our own Michael Bourne’s review of the novel, devoted as I am to the “brilliant little brushstrokes of language.”
Harper Lee’s estate will no longer allow publication of the mass-market paperback edition of To Kill a Mockingbird, which was popular with schools. Over at The New Republic, Alex Shephard writes that “Without a mass-market option, schools will likely be forced to pay higher prices for bulk orders of the trade paperback edition—and given the perilous state of many school budgets, that could very easily lead to it being assigned in fewer schools.” For more about the author’s legacy, read Robert Rea’s Millions essay on his travels to her home.
Adam Gopnik at the New Yorker comments on why we still write to win prizes (and hails Mario Vargas Llosa for having “a lively personal life that includes once punching out another future laureate…Gabriel García Márquez, reportedly over something to do with Mrs. Vargas Llosa. The Nobel thus not only crowns a career but provides the basis for a fine future Javier Bardem/Antonio Banderas movie.”)