Writing for The Guardian, Blake Morrison ponders the eternal question: “does it help writers to drink? Do they drink any more heavily than any other social group – doctors, lawyers, shop assistants or … advertising executives?”
"Writers are outsiders, and usually not by their own choosing. It's why they're writers. If they didn't feel alienated from human experience, they wouldn't feel so drawn to writing to make sense of their lives. It's not the outsider's facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page." Karen Karbo writes for Powell's Books's blog about how much publishing has changed in the last 20-some years, but she also has a lot of great words about why people would want to deal with writing and publishing in the first place. Pair her smart essay with our own Nick Ripatrazone's piece "Practical Art: On Teaching the Business of Creative Writing."
Somewhat overshadowed by David Simon's recent op-ed on the state of modern America (if not capitalism itself) was the news that Wendell Pierce – featured prominently in both The Wire and Treme – secured a book deal for his meditation on Hurricane Katrina and "the effect it had on his family, his life, his memory, and his hometown."
In theory, the author of a great novel is invisible to the reader, letting her stories and characters speak for themselves. In practice, however, it can help for an author to make herself known, as explained by Tim Parks in this essay. Sample quote: “We have the impression that if someone ever did find the full story of his life, we would immediately recognize the person we had in mind.”