Writing for The Guardian, Blake Morrison ponders the eternal question: “does it help writers to drink? Do they drink any more heavily than any other social group – doctors, lawyers, shop assistants or … advertising executives?”
In a long investigation of Hunter S. Thompson’s classic essay, “The Kentucky Derby Is Decadent and Depraved” (PDF), Josh Roiland takes readers to church by pointing out exactly what’s so alluring about the piece, which “scholars often point to … as the origin of Gonzo Journalism.”
At Jacket Copy, Carolyn Kellogg talks with Jonathan Lethem about his new novel Chronic City “I love to dwell in the space of a novel — I don’t find writing uncomfortable, it’s something I really love doing. Writing a long novel, especially, it means that I’m creating this whole other set of people that I’m interested in, and this whole other world I get to go into, and I try to stay there. I try to go every day, not just to see the word count amass, which is helpful, but because then my subconscious is kind of living there.”
Would anyone write novels in a world without copyright? According to Tim Parks, they probably would not. For more on the relationship between the market and the product, see Parks’s essay on whether more money leads to better writing.
Early on in her career, the poet Muriel Spark decided that Mary Shelley was criminally underrated as a writer. In bringing the Frankenstein author the fame she deserved, Spark wrote a biography, distanced Shelley from her famed poet husband and labeled her “the founder of science fiction.” (Related: our own Lydia Kiesling on Spark’s The Prime of Miss Jean Brodie.) (h/t Arts & Letters Daily)