According to this week’s New York Magazine Approval Matrix, our own Kevin Hartnett’s article from two weeks ago is a highbrow yet despicable piece of writing. What makes it so despicable, you ask? Apparently they blame Professor Tom Ferraro’s adulatory passage on the The Godfather.
Despicable Us
Sappho’s Music
Recommended reading: on attempting to reconstruct the music of Sappho.
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Studies of Intensity
In his new book, one of three coming out now or soon, Australian poet Clive James assembles his decades of knowledge into a series of mini-essays, many of which originally appeared in Poetry magazine. At Slate, Katy Waldman reads the collection, explaining why it gave her the urge to quote James ad infinitum. You could also read our own Garth Risk Hallberg on the poet’s book Cultural Amnesia.
“Thousand-watt sadness”
The most depressing favorable review of a TV show you’ll read this year, LA Review of Books shares why “Catfish: The TV Show” is so poignant and so very sad.
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Avian Days
Buying a hawk isn’t the most common grief-coping mechanism, but it worked for Helen Macdonald, who purchased a predatory bird not long after her father passed away. Her new book, H is for Hawk, deals with the experience, in addition to being a falconry manual of sorts. At The Globe and Mail, an interview with the author.
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Against the “Literary”
Rob Horning doesn’t like the word “literary.” Not one bit.
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