According to this week’s New York Magazine Approval Matrix, our own Kevin Hartnett’s article from two weeks ago is a highbrow yet despicable piece of writing. What makes it so despicable, you ask? Apparently they blame Professor Tom Ferraro’s adulatory passage on the The Godfather.
The new David Mitchell novel, The Bone Clocks, ends in rural Ireland, which explains why Kathryn Schulz chose to interview Mitchell on a walk through the Irish countryside. At Vulture, she talks with Mitchell about supercontinents, writing in childhood and the global scope of his work. You could also read the story Mitchell recently wrote on Twitter.
“It is intended to attract candidates who otherwise would not have access to publishing, and to therefore increase the diversity and inclusivity of the industry.” Indie publisher Graywolf Press is offering a paid, 10-month internship “designed to support a person who is interested in learning more about the publishing industry through an introductory, hands-on experience.”